Works Cited

 

Commentaries, Concordances, Dictionaries, Editions, Lexica

 

Adams, J.N. The Latin Sexual Vocabulary (Baltimore: Johns Hopkins Univ. Press, 1982).

 

Bentley, R., ed. Q. Horatius Flaccus, ex recensione et cum notis atque emendationibus Richardi Bentleii (Leipzig, 1711); 3rd ed. reprint (New York: Garland, 1978).

 

Bergk, T., ed. Poetae Lyrici Graeci. 3 vols. (Leipzig: Teubner, 1843).

 

Borzsák, S., ed. Q. Horati Flacci Opera (Leipzig: Teubner, 1984).

 

Brink, C.O. Horace On Poetry I: Prolegomena to the Literary Epistles  (Cambridge: Univ. Press, 1963).

 

            . Horace on Poetry II: The Ars Poetica (Cambridge: Univ. Press, 1971).

 

            . Horace on Poetry III: Epistles Book II (Cambridge: Univ. Press, 1982).

 

Brunt, P.A., and Moore, J.M., edd. Res Gestae Divi Augusti: The Achievements of the Divine Augustus (New York: Oxford Univ. Press, 1967).

 

Campbell, A.Y., ed. Q. Horati Flacci Carmina cum Epodis (London: Hodder and Stoughton, 1945).

 

Coleman, R., ed. Vergil: Eclogues (Cambridge: Univ. Press, 1977).

 

Conington, J., ed. Publi Vergili Maronis Opera. 3 vols. (London, 1858; 1863; 1871); vol. 1-2, 4th ed. rev. Nettleship (1881; 1884); vol. 3, 3rd ed. rev. Nettleship (1883).

 

Courtney, E., ed. The Fragmentary Latin Poets (Oxford: Clarendon, 1993).

 

Diehl, E., ed. Die Vitae Vergilianae und ihre antiken Quellen (Bonn: E. Marcus and E. Weber, 1911).

 

            , ed. Anthologia Lyrica Graeca (Leipzig: Teubner, 1925).

 

Diggle, J., ed. Euripides: Phaethon (Cambridge: Univ. Press, 1970).

 

Döring, F.W., ed. Quinti Horatii Flacci Carmina (Turin: Joseph Pomba, 1830).

 

Faber, T., ed. Quinti Horatii Flacci Opera (Saumer: 1671).

 

Fraser, P.M., and Matthews, E., edd. A Lexicon of Greek Personal Names (Oxford: Clarendon, 1987- ).

 

Garrison, D.H., ed. Horace: Epodes and Odes, A New Annotated Latin Edition (Norman: Univ. Oklahoma Press, 1991).

 

Gentili, B., and Prato, C., edd. Poetarum elegiacorum testimonia et fragmenta. 2 vols. (Leipzig: Teubner, 1979; 1985).

 

Gow, A.S.F., ed. Theocritus. 2 vols. (Cambridge: Univ. Press, 1950); 2nd ed. (1952); reprint (1965).

 

_______, and Page, D.L., edd. The Greek Anthology. Hellenistic Epigrams. 2 vols. (Cambridge: Univ. Press, 1965).

 

Green, R.P.H., ed. The Works of Ausonius: Edited with Introduction and Commentary (New York: Oxford Univ. Press, 1991).

 

Håkanson, L., ed. L. Annaeus Seneca Maior: Oratorum et Rhetorum Sententiae, Divisiones, Colores (Leipzig: Teubner, 1989).

 

Hardie, P.R., ed. Virgil: Aeneid Book IX (Cambridge: Univ. Press, 1994).

 

Heinsius, D., ed. Q. Horati Flacci Opera (London: 1612).

 

Horst, P.W. van der, ed. The Sentences of Pseudo-Phocylides (Leiden: Brill, 1978).

 

Jacoby, F., ed. Die Fragmente der griechischen Historiker (Berlin: Weidmann, 1923-1958).

 

Keil, H., ed. Grammatici Latini, ex recensione Henrici Keilii. 8 vols. (Leipzig: 1855-1880); reprint (Hildesheim: G. Olms, 1961).

 

Kiessling, A., ed. Q. Horatius Flaccus (Berlin: Weidmann, 1884); Oden und Epoden. vol. 1, 9th ed. rev. Heinze (1958); Satiren. vol. 2, 6th ed. (1957); Briefe. vol. 3, 5th ed. (1957).

 

Kinkel, G., ed. Epicorum Graecorum Fragmenta (Leipzig: Teubner, 1877).

 

Klingner, F., ed. Q. Horati Flacci Carmina (Leipzig: Teubner, 1939).

 

Lambinus, D., ed. In Q. Horatium Flaccum (Paris: 1505).

 

Lindsay, W.M., ed. Sexti Pompei Festi de verborum significatu quae supersunt cum

Pauli epitome (Leipzig: Teubner, 1913); reprint (Hildesheim: G. Olms, 1965).

 

Lobel, E., and Page, D.L., edd. Poetarum Lesbiorum Fragmenta (Oxford: Clarendon, 1955).

 

Lloyd-Jones, H.; Parson, P.J.; et al., edd. Supplementum Hellenisticum (Berlin: de Gruyter, 1983).

 

MacLeane, A.J., ed. The Works of Horace with English Notes. 20th ed. rev. R.H. Chase (Boston: Allyn and Bacon, 1856).

 

Maurenbrecher, B., ed. C. Sallusti Crispi Historiarum Reliquiae. 2 vols. (Leipzig: Teubner, 1891; 1893).

 

Marx, F., ed. C. Lucilii Carminum Reliquiae. 2 vols. (Leipzig: Teubner, 1904; 1905); reprint (Amsterdam: Hakkert, 1963).

 

Meineke, J., ed. Q. Horatius Flaccus (Berlin: G. Reimer, 1854).

 

Moore, C.H., ed. Horace: The Odes and Epodes (New York: American Book Co., 1902).

 

Müller, L., ed. Q. Horatius Flaccus (Leipzig: Teubner, 1869).

 

Nauck, K.W., ed. Des Q. Horatius, Oden und Epoden, für den Schulgebrauch (Leipzig: Teubner, 1854).

 

Nisbet, R.G.M., and Hubbard, M. A Commentary on Horace: Odes Book I (Oxford: Clarendon, 1970).

 

_______. A Commentary on Horace: Odes Book II (Oxford: Clarendon, 1978).

 

Orelli, J.C., ed. Q. Horatius Flaccus. 2 vols. (Turici, 1837; 1838); 3rd ed. rev. I.G. Baiter (1850; 1852).

 

Page, D.L., ed. Poeti Melici Graeci (Oxford: Clarendon, 1962).

 

            , ed. Epigrammata Graeca (Oxford: Clarendon, 1975).

 

Page, T.E., ed. Q. Horatii Flacci: Carminum Libri IV, Epodon Liber (London: Macmillan, 1883); 1895 rev. ed. reprint (New York: St. Martin's Press, 1977).

 

Peerlkamp, P.H., ed. Q. Horatii Flacci Carmina (1834); 2nd ed. rev. (Amsterdam: F. Müller, 1862).

 

Pfeiffer, R., ed. Callimachus. 2 vols. (Oxford: Clarendon, 1949; 1953).

 

Plessis, F., and Lejay, P., edd. Q. Horati Flacci Opera: Oeuvres d' Horace. 2 vols. (Paris: Hachette, 1911; 1924).

 

Quinn, K., ed. Horace: The Odes (London: Macmillan, 1980).

 

Reifferscheid, K.W. August, ed. C. Suetoni Tranquilli praeter Caesarum libros Reliquiae (Leipzig: Teubner, 1860).

 

Richardson, L., Jr. A New Topographical Dictionary of Ancient Rome (Baltimore: Johns Hopkins Univ. Press, 1992).

 

Ritter, F., ed. Q. Horatius Flaccus (Engelmann, 1857).

 

Russell, D.A., and Wilson, N.G., edd. Menander Rhetor (Oxford: Clarendon, 1981).

 

Sanadon, Noël Etienne. Les poésis d' Horace, disposées suivant l' ordre cronologique, et traduites en François, avec des remarques et des dissertations critiques (Paris, 1728).

 

Schanz, M. von. Geschichte der römischen Literatur bis zum Gesetzgebung des Kaisers Justinian, zweiter Teil: Die römische Literatur in der Zeit der Monarchie bis auf Hadrian. 4th ed. rev. C. Hosius (Munich: C.H. Beck, 1935).

 

Shackleton Bailey, D.R., ed. Q. Horati Flacci Opera (Stuttgart: Teubner, 1985).

 

Skutsch, O., ed. The Annals of Q. Ennius. Edited with Introduction and Commentary (Oxford: Clarendon, 1985).

 

Shorey, P., ed. Horace, Odes and Epodes (Boston: B.H. Sanborn, 1898).

 

Syndikus, H.P. Die Lyrik Des Horaz, Eine Interpretation der Oden: Band I, Erstes und zwietes Buch (Darmstadt: Wissenschaftliche Buchgesellschaft, 1972).

 

            . Die Lyrik Des Horaz, Eine Interpretation der Oden: Band II, Drittes und viertes Buch (Darmstadt: Wissenschaftliche Buchgesellschaft, 1973).

 

Thomas, R.F., ed. Virgil: Georgics. 2 vols. (Cambridge: Univ. Press, 1988).

 

Vahlen, J., ed. Ennianae Poesis Reliquiae (Leipzig: Teubner, 1854); 3rd. ed. (1928).

 

Vollmer, F., ed. Q. Horati Flacci Carmina (Leipzig: Teubner, 1907).

 

West, M.L., ed. Iambi et Elegi Graeci ante Alexandrum Cantati. 2 vols. (Oxford: Clarendon, 1971; 1972); 2nd ed. (1989; 1992).

 

Wickham, E.C., ed. Quinti Horatii Flacci Opera Omnia: The Works of Horace with a Commentary. 2 vols. (Oxford: Clarendon, 1874; 1891); vol. 1, 3rd ed. rev. (1896).

 

Woodman, A.J., ed. Velleius Paterculus: The Tiberian Narrative (2.94-131) (Cambridge: Univ. Press, 1977).

 

Young, D., ed. Theognis. Ps.-Pythagoras. Ps.-Phocylides. Chares. Anonymi Aulodia. Fragmenta Teliambicum. 2nd ed. rev. (Leipzig: Teubner, 1971).

 

Other References

 

Ahern, C.F., Jr. "Horace's Rewriting of Homer in Carmen I. 6," CPh 86 (1991) pp. 301-314.

 

Ahl, F. "The Rider and the Horse: Politics and Power in Roman Poetry from Horace to

Statius," ANRW II.32.1 (1984) pp. 40-110.

 

Albrecht, M. von. "Horazens Römeroden," AAntHung 30 (1982-1984) pp. 229-241.

 

            . "Natur und Landschaft in der römischen Lyrik dargestellt an Frühlingsgedichten (Catull, 46; Horaz, Carm. 1,4; 4,7; 4,12)," Ktèma 16 (1991) pp. 147-159.

 

            . "Orazio e la musica," in Setaioli (1995) pp. 83-88.

 

            . A History of Roman Literature, From Livius Andronicus to Boethius: With Special Regard to its Influence on World Literature. 2 vols. (Leiden: Brill, 1997).

 

Alexiou, M. The Ritual Lament in Greek Tradition (Cambridge: Univ. Press, 1974).

 

Allen, H.W. A History of Wine: Great Vintage Wines from the Homeric Age to the Present Day (London: Horizon Press, 1961).

 

Ambrose, J.W., Jr. "The Ironic Meaning of the Lollius Ode," TAPhA 96 (1965) pp. 1-10.

 

            . "Horace on Foreign Policy: Odes 4.4," CJ 69 (1973) pp. 26-33.

 

Ancona, R. Time and the Erotic in Horace's Odes (Durham, NC: Duke Univ. Press, 1994).

 

Anderson, W.S. "Horace, The Unwilling Warrior: Satire I, 9," AJPh 77 (1956) pp. 148-166.

 

            . "Ironic Preambles and Satiric Self-Definition in Horace Satire 2.1," Pacific Coast Philology 19 (1984) pp. 35-42.

 

            . "Horatius Liber, Child and Freedman's Free Son," Arethusa 28 (1995) pp. 151-164.

 

Argetsinger, K. "Birthday Rituals: Friends and Patrons in Roman Poetry and Cult," ClAnt 11 (1992) pp. 175-193.

 

Arkins, B. "A Reading of Horace, Carm. 1.25," C&M 34 (1983) pp. 161-175.

 

            . "The Cruel Joke of Venus: Horace as Love Poet," in Rudd (1993) pp.106-119.

 

Armstrong, D. "Horatius eques et scriba," TAPhA 116 (1986) pp. 255-288.

 

            . "Some Recent Perspectives on Horace," Phoenix 51 (1997) pp. 393-405.

 

Babcock, C.L. "The Role of Faunus in Horace, Carmina 1.4," TAPhA 92 (1961) pp. 13-19.

 

            . "Horace Carm. 1.32 and the Dedication of the Temple of Apollo Palatinus," CPh 62 (1967) pp. 189-194.

 

Balsdon, J.P.V.D. "Sulla Felix," JRS 41 (1951) pp. 1-10.

 

Barchiesi, A. Il poeta e il principe: Ovidio e il discorso augusteo (Rome: Laterza, 1994); rev. and trans., The Poet and the Prince: Ovid and Augustan Discourse (Berkeley: Univ. California Press, 1997).

 

            . "Poetry, Praise, and Patronage: Simonides in Book IV of Horace's Odes," ClAnt 15 (1996a) pp. 5-47.

 

            . "Simonides and Horace on the Death of Achilles," Arethusa 29 (1996b) pp. 247-253.

 

Bardon, H. La Littérature Latine Inconnue: L' Époque Impériale (Paris: C. Klincksieck, 1956).

 

Barker, D. "'The Golden Age Proclaimed?' The Carmen Saeculare and the Renascence of the Golden Race," CQ n.s. 46 (1996) pp. 434-446.

 

Bartsch, S. Actors in the Audience: Theatricality and Doublespeak from Nero to Hadrian (Cambridge: Harvard Univ. Press, 1994).

 

            . Ideology in Cold Blood: A Reading of Lucan's Civil War (Cambridge: Harvard Univ. Press, 1998).

 

Basto, R. "Horace's Propempticon to Vergil: A Re-examination," Vergilius 28 (1982) pp. 30-43.

 

Batstone, W. "Dry Pumice and the Programmatic Language of Catullus 1," CPh 93 (1998) pp. 125-135.

 

Becker, C. Das Spätwerk des Horaz (Göttingen: Vandenhoeck & Ruprecht, 1963).

 

Beissinger, M.; Tylus, J.; and Wofford, S., edd. Epic Traditions in the Contemporary World: The Poetics of Community (Berkeley: Univ. California Press, 1999).

 

Belmont, T.E. "The Vergilius of Horace, Ode 4.12," TAPhA 110 (1980) pp. 1-20.

 

Bergquist, B. "Sympotic Space: A Functional Aspect of Greek Dining-Rooms," in Murray (1990) pp. 37-65.

 

Bernays, L. "Zur Interpretation des Horaz - Ode 4.11," Prometheus 22.1 (1996) pp. 35-42.

 

Bielohlawek, K. "Gastmahls- und Symposionslehren bei griechischen Dichtern (Von Homer bis zur Theognissammlung und Kritias)," WS 58 (1940) pp. 11-30.

 

Bing, P. The Well-Read Muse: Present and Past in Callimachus and the Hellenistic Poets. Hypomnemata 90 (Göttingen: Vandenhoeck & Ruprecht, 1988).

 

Boardman. J. Athenian Black Figure Vases (New York: Oxford Univ. Press, 1974).

 

            . Athenian Red Figure Vases: The Archaic Period (London: Thames and Hudson, 1975).

 

Boedeker, D., and Sider, D., edd. The New Simonides: Contexts of Praise and Desire (New York: Oxford Univ. Press, 2001).

 

Borzsák, S. "Dive quem proles Niobea... Ein Interpretationsversuch zu Hor. C. IV,6," Grazer Beiträge 5 (1976) pp. 25-36.

 

            . "Zum neuen Horatius Teubnerianus," Klio 67 (1985) pp. 177-179.

 

Bowditch, P.L. Horace and the Gift Economy of Patronage (Berkeley: Univ. California Press, 2001).

 

Bowie, E.L. "Early Greek Elegy, Symposium and Public Festival," JHS 106 (1986) pp. 13-35.

 

Bowra, C.M. "Horace, Odes IV.12," CR 42 (1928) pp. 165-167.

 

            . Greek Lyric Poetry from Alcman to Simonides (Oxford: Clarendon, 1936); 2nd ed. rev. (1961).

 

            . Heroic Poetry (London: Macmillan, 1952).

 

Boyle, A.J. "The Edict of Venus. An Interpretive Essay on Horace's Amatory Odes," Ramus 2 (1973) pp. 163-188.

 

Bradshaw, A.T. von. "Horace, Odes 4. 1," CQ n.s. 20 (1970) pp. 142-153.

 

Bremmer, J. "An Enigmatic Indo-European Rite: Paederasty," Arethusa 13 (1980) pp. 279-298.

 

Brink. C.O. "Horatian Poetry. Thoughts on the Development of Textual Criticism and Interpretation," in Killy (1981) pp. 7-17.

 

            . English Classical Scholarship: Historical Reflections on Bentley, Porson, and Housman (Cambridge: J. Clarke, 1985).

 

Bruneau, P. "Ganymède et l' aigle: images, caricatures et parodies animales du rapt," Bulletin de Correspondance Hellénique 86 (1962) pp. 193-228.

 

Bücheler, F. "Zur Kritik und Erklärung: Zu Horaz' Oden IV, 6," RhM 14 (1859) pp. 158-160.

 

Buchheit, V. "Homerparodie und Literaturkritik in Horazens Sat. I,7 und I,9," Gymnasium 85 (1968) pp. 519-555.

 

Burkert, W. "Apellai und Apollo," RhM 118 (1975) pp. 1-21.

 

            . "Olbia and Apollo of Didyma: A New Oracle Text," in Solomon (1994) pp. 49-60.

 

Burckhardt, J. Griechische Kulturgeschichte. 4 vols. (Stuttgart: Deutsche Verlags-Anstalt, 1930).

 

Buttrey, T.V. "Halved Coins, The Augustan Reform, and Horace, Odes I.3," AJA 76 (1972) pp. 31-48.

 

Cairns, F. "Five 'Religious' Odes of Horace (I,10; I,21 and IV,6; I,30; I,15)," AJPh 92 (1971) pp. 433-452.

 

            . Generic Composition in Greek and Roman Poetry (Edinburgh: Univ. Press, 1972).

 

            . "Horace on Other People's Love Affairs (Odes I 27; II 4; I 8; III 12)," QUCC 24 (1977) pp. 121-147.

 

Calhoun, G.M. Athenian Clubs in Politics and Litigation (Austin: Univ. Texas Press, 1913); reprint (New York: B. Franklin, 1970).

 

Cameron, A. "Genre and Style in Callimachus," TAPhA 122 (1992) pp. 305-312.

 

            . Callimachus and His Critics (Princeton: Univ. Press, 1995).

 

Campbell, A.Y. Horace: A New Interpretation (London: Methuen & Co., 1924).

 

Campbell, J.S. "Animae Dimidium Meae: Horace's Tribute to Vergil," CJ 82 (1987) pp. 314-318.

 

Cannon, M. "Turbulence and Horace," CB 42 (1966) pp. 85-87.

 

Canter, H.V. "The Paraclausithyron as a Literary Theme," AJPh 41 (1920) pp. 355-368.

 

Carettoni, G. Das Haus des Augustus auf dem Palatin (Mainz: P. von Zabern, 1983).

 

Carcopino, J. "Le mariage d' Octave et de Livia et la naissance de Drusus," Revue historique 161 (1929) pp. 225-236.

 

Castriota, D. The Ara Pacis Augustae and the Imagery of Abundance in Later Greek and Early Roman Imperial Art (Princeton: Univ. Press, 1995).

 

Catlow, L.W. "Horace, Odes I, 25 and IV, 13: a Reinterpretation," Latomus 35 (1976) pp. 813-821.

 

Chaumont, M.-L. "L' Arménie entre Rome et l' Iran. I. De l' avènement d' Auguste a l' avènement de Dioclétien," ANRW II.9.1 (1976) pp. 73-84.

 

Clauss, J.J. "Allusion and Structure in Horace's Satire 2.1: The Callimachean Response," TAPhA 115 (1985) pp. 197-206.

 

Clay, J.S. "Sweet Folly: Horace, Odes 4.12 and the Evocation of Virgil," in Paschalis (2002) 129-140.

 

Cody, J.V. Horace and Callimachean Aesthetics. Collection Latomus 147 (Brussels, 1976).

 

Collinge, N.E. The Structure of Horace's Odes (New York: Oxford Univ. Press, 1961).

 

Commager, S. "The Function of Wine in Horace's Odes," TAPhA 88 (1957) pp. 68-80.

 

            . The Odes of Horace: A Critical Study (New Haven, CT: Yale Univ. Press, 1962).

 

Connor, P. Horace's Lyric Poetry: The Force of Humour (Victoria: Aureal Publications, 1987).

 

Copley, F.O. Exclusus Amator: A Study in Latin Love Poetry (Madison, WI: American Philological Assoc., 1956).

 

Courtney, E. "Horace and the Pest," CJ 90 (1994) pp. 1-8.

 

Crotty, K. Song and Action: The Victory Odes of Pindar (Baltimore: Johns Hopkins Univ. Press, 1982).

 

Davis, G. Polyhymnia: the Rhetoric of Horatian Discourse (Berkeley: Univ. California Press, 1991).

 

Dentzer, J.-M. Le Motif du banquet couché dans le Proche Orient et les monde grec du viième au iv ème siècle avant J.-C. (Paris: Boccard, 1982).

 

Deonna, W. "Croyances funéraires: La soif des morts. - Le mort musicien," Revue de l' Histoire des Religions 119 (1939) pp. 53-81.

 

Dettmer, H. Horace: A Study in Structure (Hildesheim: G. Olms, 1983).

 

Diggle, J.; Hall, J.B.; and Jocelyn, H.D., edd. Studies in Latin Literature and Its Tradition in Honor of C. O. Brink. CPhS Suppl. 15 (Cambridge, 1989).

 

Doblhofer, E. Die Augustuspanegyrik des Horaz in formalhistorischer Sicht (Heidelberg: C. Winter Universitätsverlag, 1966).

 

DuQuesnay, I. M. Le M. "Horace and Maecenas: The propaganda value of Sermones I," in Woodman and West (1984) pp. 19-58.

 

            . "Horace, Odes 4. 5: Pro Reditu Imperatoris Caesaris Divi Filii Augusti," in Harrison (1995) pp. 128-187.

 

Duckworth, G. E. "Animae Dimidium Meae: Two Poets of Rome," TAPhA 87 (1956) pp. 281-316.

 

Eder, W. "Augustus and the Power of Tradition: The Augustan Principate as Binding Link Between Republic and Empire," in Raaflaub and Toher (1990) pp. 71-122.

 

Edmunds, L. From a Sabine Jar: Reading Horace, Odes I.9 (Chapel Hill: Univ. North Carolina Press, 1992).

 

            . Intertextuality and the Reading of Roman Poetry (Baltimore: Johns Hopkins Univ. Press, 2001).

 

Elder, J.P. "Horace, C. I, 3," AJPh 73 (1952) pp. 140-158.

 

Esler, C.C. "Horace's Old Girls: Evolution of a Topos," in Falkner and de Luce (1989) pp. 172-182.

 

Estévez, V.A. "Quem Tu, Melpomene: The Poet's Lowered Voice (C. IV 3)," Emerita 50 (1982) pp. 279-300.

 

Falkner, T.M., and de Luce, J., edd. Old Age in Greek and Latin Literature (Albany: State Univ. of New York Press, 1989).

 

Fantham, E. "Two Levels of Orality in the Genesis of Pliny's Panegyricus," in MacKay (1999) pp. 221-237.

 

Fears, J.R. Princeps a Diis Electus: The Divine Election of the Emperor as a Political Concept at Rome (Rome: American Academy, 1977).

 

Feeney, D.C. The Gods in Epic: Poets and Critics of the Classical Tradition (Oxford: Clarendon, 1991).

 

            . "Si licet et fas est: Ovid's Fasti and the Problem of Free Speech under the Principate," in Powell (1992) pp. 1-25.

 

            . "'Shall I Compare Thee...?' Catullus 68B and the limits of analogy," in Woodman and Powell (1992) pp. 33-44.

 

            . "Horace and the Greek Lyric Poets," in Rudd (1993) pp. 41-63.

 

            , and A.J. Woodman, edd. Traditions and Contexts in the Poetry of Horace (Cambridge: Univ. Press, 2002).

 

Festa, N. "Animae dimidium meae," Sophia 1 (1933) pp. 436-441.

 

Fishwick, D. "Genius and Numen," HThR 62 (1969) pp. 356-367.

 

Fiske, G.C. Lucilius and Horace: A Sudy in the Classical Theory of Imitation (Madison: Univ. Wisconsin Press, 1920).

 

Fitzgerald, W. Agonistic Poetry: The Pindaric Mode in Pindar, Horace, Hölderlin, and

the English Ode (Berkeley: Univ. California Press, 1987).

 

Flower, H.I. Ancestor Masks and Aristocratic Power in Roman Culture (Oxford: Clarendon, 1996).

 

Fowler, D.P. "Horace and the Aesthetics of Politics," in Harrison (1995) pp. 248-266.

 

            . "On the Shoulders of Giants: Intertextuality and Classical Studies," MD 39 (1997) pp. 13-34.

 

            . Roman Constructions: Readings in Postmodern Latin (New York: Oxford Univ. Press, 2000).

 

Fraenkel, E. Horace (Oxford: Clarendon, 1957).

 

Franke, K.L. Fasti Horatiani (Berlin: William Besser, 1839).

 

Freis, R. "The Catalogue of Pindaric Genres in Horace Ode 4.2," ClAnt 2 (1983) pp. 27-36.

 

Freudenburg, K. "Horace's Satiric Program and the Language of Contemporary Theory in Satires 2.1," AJPh 111 (1990) pp. 187-203.

 

            . The Walking Muse: Horace on the Theory of Satire (Princeton: Univ. Press, 1993).

 

            . "Solus Sapiens Liber Est: Recommissioning Lyric in Epistles 1," in Feeney and Woodman (2002) pp. 124-140.

 

Gabba, E., ed. Tria Corda: Scritti in onore di Arnaldo Momigliano (Como: Edizioni New Press, 1983).

 

Gagé, J. Apollon romain: essai sur le culte d' Apollon et le développement du 'ritus Graecus' à Rome des origines à Auguste (Paris: Boccard, 1955).

 

            . "Apollon impérial, Garant des «Fata Romana»," ANRW II.17.2 (1981) pp. 561-630.

 

Galinsky, G.K. "Venus in a Relief of the Ara Pacis Augustae," AJA 70 (1966) pp. 223-243.

 

            . Aeneas, Sicily, and Rome (Princeton: Univ. Press, 1969).

 

            . Ovid's Metamorphoses: An Introduction to the Basic Aspects (Oxford: Basil Blackwell, 1975).

 

            . "The Anger of Aeneas," AJPh 109 (1988) pp. 321-348.

 

            . "Venus, Polysemy, and the Ara Pacis Augustae," AJA 96 (1992) pp. 457-475.

 

            . Augustan Culture: An Interpretive Introduction (Princeton: Univ. Press, 1996).

 

Gallardo, M.D. "Los Symposios de Luciano, Ateneo, Metodio y Juliano," Cuadernos de Filologia Classica 4 (1972) pp. 239-296.

 

            . "El Simposio Romano," Cuadernos de Filologia Classica 7 (1974) pp. 91-143.

 

Garrison, D.H. "Quo Musa Tendis? Horace's Augustan Patriotism," CB 55 (1979) pp. 40-44.

 

Gerber, D.E. Euterpe: An Anthology of Early Greek Lyric, Elegiac, and Iambic Poetry (Amsterdam: Hakkert, 1970).

 

Giangrande, G. "Two Horatian Problems," CQ n.s. 17 (1967) pp. 327-331.

 

            . "Sympotic Literature and Epigram," in L' Épigramme grecque. Fondation Hardt: Entretiens sur l' antiquité classique 14 (Geneva: 1968) pp. 91-177.

 

Gold, B.K., ed. Literary and Artistic Patronage in Ancient Rome (Austin: Univ. Texas Press, 1982).

 

            . Literary Patronage in Greece and Rome (Chapel Hill: Univ. North Carolina Press, 1987).

 

Gowers, E. The Loaded Table: Representations of Food in Roman Literature (Oxford: Clarendon, 1993).

 

Greene, T.M. "The Natural Tears of Epic," in Beissinger (1999) pp. 189-202.

 

Greengard, C. The Structure of Pindar's Epinician Odes (Amsterdam: Hakkert, 1980).

 

Griffiths, A. "The Odes: Just Where Do You Draw the Line?," in Feeney and Woodman (2002) pp. 65-79.

 

Grisart, A. "Tityre et son Dieu. Des identifications nouvelles," LEC 34 (1966) pp. 115-142.

 

Grottanelli, C. "Wine and Death -- East and West," in Murray (1995) pp. 62-89.

 

Gruen, E.S. "Augustus and the Ideology of War and Peace," in Winkes (1985) pp. 51-72.

 

Gurval, R.A. Actium and Augustus: The Politics and Emotions of Civil War (Ann Arbor: Univ. Michigan Press, 1995).

 

Habinek, T.N. "The Marriageability of Maximus: Horace, Ode 4. 1.13-20," AJPh 107 (1986) pp. 407-416.

 

            . The Politics of Latin Literature: Writing, Identity, and Empire in Ancient Rome (Princeton: Univ. Press, 1998).

 

             and Schiesaro, A., edd. The Roman Cultural Revolution (Cambridge: Univ. Press, 1997).

 

Hägg, R. The Greek Renaissance of the Eighth Century B.C.: Tradition and Innovation (Stockholm: Swedish Institute in Athens, 1983).

 

Hahn, E.A. "Horace's Ode to Vergil," TAPhA 76 (1945) p. xxxii.

 

Haight, E.H. The Symbolism of the House Door in Classical Poetry (New York: Longmans Green and Co., 1950).

 

Hamilton, R. Epinikion: General Form in the Odes of Pindar (The Hague: Mouton, 1974).

 

Händel, P., and Meid, W., edd. Festschrift für Robert Muth: zum 65. Geburtstag am 1. Januar 1981 (Innsbruck: Amœ, 1983).

 

Hardie, A. "Horace, the Paean and the Roman Choreia (Odes 4.6)," Papers of the Leeds International Latin Society 10 (1998) pp. 251-293.

 

Hardie, C.G. "Octavian and Eclogue 1," in Levick (1975) pp. 109-122.

 

Hardie, P.R. Virgil's Aeneid: Cosmos and Imperium (Oxford: Clarendon, 1986).

 

            . "Ut pictura poesis? Horace and the Visual Arts," in Rudd (1993) pp. 120-139.

 

            , ed. The Cambridge Companion to Ovid (Cambridge: Univ. Press, 2002a).

 

            . Ovid's Poetics of Illusion (Cambridge: Univ. Press, 2002b).

 

Harms, E. Horaz in seinen Beziehungen zu Pindar (Marburg: H. Bauer, 1935).

 

Harrison, G. "The Confessions of Lucilius (Horace Sat. 2.1.30-34): A Defense of Autobiographical Satire?," ClAnt 6 (1987) pp. 38-52.

 

Harrison, J.A. Horace in His Odes (Bristol: Bristol Classical Press, 1981).

 

Harrison, S.J. "The Praise Singer: Horace, Censorinus and Odes 4.8," JRS 80 (1990) pp. 31-43.

 

            . Vergil: Aeneid 10 (Oxford: Clarendon, 1991).

 

            , ed. Homage to Horace (Oxford: Clarendon, 1995).

 

            . "Horace, Pindar, Iullus Antonius, and Augustus: Odes 4. 2," in Harrison (1995) pp. 108-127.

 

            . "Simonides and Horace," in Boedeker and Sider (2001) pp. 261-271.

 

Heller, J.L., and Newman, J.K., edd. Serta Turyniana: Studies in Greek Literature and Palaeography in Honor of Alexander Turyn (Urbana: Univ. Illinois Press, 1974).

 

Henderson, J. "Be alert (your country needs lerts): Horace, Satires 1.9," PCPhS 39 (1993) pp.

67-93; reprinted in Henderson, Writing down Rome: Satire, Comedy, and other Offences in Latin Poetry (Oxford: Clarendon, 1999) pp. 202-227.

 

Henderson, W.J. "The Paraklausithyron Motif in Horace's Odes," AClass 16 (1973) pp. 51-67.

 

Herz, P. "Bibliographie zum römischen Kaiserkult (1955-1975)," ANRW II.16.2 (1975) pp. 833-910.

 

Heubeck, A. "Noch einmal zum Namen des Apollon," Glotta 65 (1987) pp. 179-182.

 

Hills, P.D. "Ennius, Suetonius, and the Genesis of Horace, Odes 4," CQ 51 (2001) pp. 613-616.

 

Hinds, S. "Arma in Ovid's Fasti, Part 2: Genre, Romulean Rome and Augustan Ideology," Arethusa 25 (1992) pp. 113-153.

 

            . Allusion and Intertext: Dynamics of Appropriation in Roman Poetry (Cambridge: Univ. Press, 1998).

 

Holzberg, N. Ovid: Dichter und Werk (Munich: C.H. Beck, 1998); trans., Ovid: The Poet and His Work (Ithaca: Cornell Univ. Press, 2002).

 

Hopkins, K. Death and Renewal (Cambridge: Univ. Press, 1983).

 

Horsfall, N. "The Prehistory of Latin Poetry. Some Problems of Method," RFIC 122 (1994) pp. 50-75.

 

            . A Companion to the Study of Virgil (Leiden: Brill, 1995).

 

            . "Orazio e la conquista del mondo: problemi di ideologia e di metaforica," in Setaioli (1995) pp. 23-34.

 

Hunt, J.M. "Cinq explications de texte," L' Antiquité Classique 43 (1974) pp. 355-357.

 

Hunter, R. "The Poet Unleaved: Simonides and Callimachus," in Boedeker and Sider (2001) pp. 242-254.

 

Illig, L. Zur Form der pindarischen Erzählung: Interpretationen und Untersuchungen (Berlin: Junker und Dünnhaupt, 1932).

 

Iltgen, J.J. de Horatio, Lucilii aemulo (Montabaur, 1872).

 

Innes, D.C. "Gigantomachy and Natural Philosophy," CQ n.s. 29 (1979) pp. 165-171.

 

Jackson, C.N. "Molle Atque Facetum," HSPh 25 (1914) pp. 117-137.

 

Johnson, T.S. "Horace, C. III.17: A Flawed Genealogy," ICS 20 (1995a) pp. 131-134.

 

            . "Vergilius at the Symposion," Vergilius 40 (1995b) pp. 49-66.

 

            . "Sympotica Horatiana: Problems of Artistic Integrity," Philologus 141 (1997) pp. 321-337.

 

Johnson, W.R. "Tact in the Drusus Ode: Horace, Odes 4.4," California Studies in Classical Antiquity 2 (1969) pp. 171-181.

 

Joliffe, H.R. The Critical Methods and Influence of Bentley's Horace (Chicago: Univ. Chicago Libraries, 1939).

 

Kellum, B. "Sculptural Programs and Propaganda in Augustan Rome: The Temple of Apollo on the Palatine," in Winkes (1985) pp. 169-176.

 

Kennedy, D.F. "'Augustan' and 'Anti-Augustan': Reflections on Terms of Reference," in Powell (1992) pp. 26-58.

 

Khan, H.A. "Horace's Ode to Virgil on the Death of Quintilius: 1, 24," Latomus 26 (1967) pp. 107-117.

 

Kidd, D.A. "Virgil's Voyage," Prudentia 9 (1977) pp. 97-103.

 

Kienast, D. Augustus. Prinzeps und Monarch (Darmstadt: Wissenschaftliche Buchgesellschaft, 1982).

 

Kiernan, V.G. Horace: Poetics and Politics (New York: St. Martin's Press, 1999).

 

Kiessling, A. "Horatius: I. Zur Chronologie und Anordnung der Oden," Philol. Untersuchung 2 (1881) pp. 48-122.

 

Killy, W., ed. Geschichte des Textverständnisses am Beispeil von Pindar und Horaz. Wolfenbütteler Forschungen 12 (Munich, 1981).

 

Kirby, J.T., "Textual, Structural, and Interpretive Issues in Horace Carm. 4.2," Antichthon 26 (1992) pp. 42-50.

 

Klein, T.M. "The Role of Callimachus in the Development of the Concept of the Counter-genre," Latomus 33 (1974) pp. 217-231.

 

Konstan, D. "Patrons and Friends," CPh 90 (1995) pp. 328-342.

 

La Penna, A. Orazio e l' ideologia del principato (Turin: G. Einaudi, 1963).

 

Laird, A. Powers of Expression, Expressions of Power: Speech Presentation and Latin Literature (New York: Oxford Univ. Press, 1999).

 

Lambrechts, P. "La politique 'apollinienne' d' Auguste et le culte impérial," La Nouvelle Clio 5 (1953) pp. 65-82.

 

Leach, E.W. "Vergil, Horace, Tibullus. Three Collections of Ten," Ramus 7 (1978) pp. 79-105.

 

            . "Personal and Communal Memory in the Reading of Horace's Odes, books 1-3," Arethusa 31 (1998) pp. 43-74.

 

Leeman, A.D. "Rhetorical Status in Horace, Serm. 2, 1," in B.Vickers (1982) pp. 159-163.

 

            . "Die Konsultierung des Trebatius: Statuslehre in Horaz, Serm. 2.1," in Händel and Meid (1983) pp. 209-215.

 

Lefèvre, E. "Rursus Bella Moves? Die literarische Form von Horaz, c. 4, 1," RhM 111 (1968) pp. 166-189.

 

            . Das Bild-Programm des Apollo-Tempels auf dem Palatin (Konstanz: Universitätsverlag, 1989).

 

            . Horaz: Dichter im augusteischen Rom (Munich: C.H. Beck, 1993).

 

            . "Waren horazishe Gedichte zum 'öffentlichen' Vortrag bestimmt?," in Vogt-Spira (1993) pp. 143-157.

 

Levick, B., ed. The Ancient Historian and His Materials: Essays in Honor of C. E. Stevens on His Seventieth Birthday (Westmead: Gregg International, 1975).

 

Levin, D.N. "Horace's Preoccupation with Death," CJ 63 (1968) pp. 315-320.

 

Liebeschuetz, J.H.W.G. Continuity and Change in Roman Religion (Oxford: Clarendon, 1979).

 

Lienieks, V. "Spring and Death in Horace," CB 53 (1977) pp. 57-61.

 

Lissarrague, F. Un flot d' images: un esthétique du banquet grec (Paris: A. Biro, 1987); trans., The Aesthetics of the Greek Banquet: Images of Wine and Ritual (Princeton: Univ. Press, 1990).

 

Lockyer, C.W. "Horace's Propempticon and Vergil's Voyage," CW 61 (1967) pp. 42-45.

 

Lowrie, M. "A Parade of Lyric Predecessors: Horace C. 1.12-1.18," Phoenix 49 (1995) pp. 33-48.

 

            . Horace's Narrative Odes (Oxford: Clarendon, 1997).

 

Ludwig, W. "Die Anordnung des vierten Horazischen Odenbuches," MH 18 (1961) pp. 1-10.

 

Lyne, R.O.A.M. The Latin Love Poets: From Catullus to Horace (Oxford: Clarendon, 1980).

 

            . Words and the Poet: Characteristic Techniques of Style in Vergil's Aeneid (Oxford: Clarendon, 1989).

 

            . Horace: Behind the Public Poetry (New Haven, CT: Univ. Press, 1995).

 

Maas, P. "Korruptelen in Horazens Oden," SIFC 27/28 (1956) pp. 227-228; reprinted in Kleine Schriften (Munich: C.H. Beck, 1973) pp. 603-604.

 

MacCormack, S.G. Art and Ceremony in Late Antiquity (Berkeley: Univ. California Press, 1981).

 

MacKay, E.A., ed. Signs of Orality: The Oral Tradition and Its Influence in the Greek and Roman World (Leiden: Brill, 1999).

 

Marcovich, M. "A New Poem of Archilochus: P. Colon. inv. 7511," GRBS 16 (1975) pp. 5-14.

 

            . "Xenophanes on Drinking Parties and Olympic Games," in Studies in Greek Poetry. ICS Suppl. 1 (Atlanta, GA: Scholars Press, 1991) pp. 60-84.

 

Marquardt, J.; Mommsen, T.; et al. Manuel des antiquités romaines. 19 vols. (Paris: E. Thorin, 1888).

 

Martin, J. Symposion: Die Geschichte einer literarischen Form (Paderborn: F. Schöningh, 1931).

 

Martindale, C., ed. The Cambridge Companion to Virgil (Cambridge: Univ. Press, 1997).

 

Matt, Leonard von; Moretti, M.; and Maetzke, G. Terra e arte degli Etruschi (Genova: Stringa, 1969); trans., The Art of the Etruscans (New York: H.N. Abrams, 1970).

 

Mayer, R. "Horace on Good Manners," PCPhS 31 (1985) pp. 33-46.

 

Mazurek, T. "Self-Parody and the Law in Horace's Satires 1.9," CJ 93 (1997) pp. 1-17.

 

McKay, A.G., ed. Vergilian Bimillenary Lectures 1982. Vergilius Suppl. 2 (College Park, MD: Vergilian Society, 1982).

 

McKeown, J.C. "Fabula Proposito Nulla Tegenda Meo: Ovid's Fasti and Augustan Politics," in Woodman and West (1984) pp. 169-187.

 

McNeill, Randall L.B. Horace: Image, Identity, and Audience (Baltimore: Johns Hopkins Univ. Press, 2001).

 

Meuli, K. "Altrömischer Maskenbrauch," MH 12 (1955) pp. 206-235.

 

Miller, J. "Virgil, Apollo, and Augustus," in Solomon (1994) pp. 99-112.

 

Miller, P.A. "Horace, Mercury, and Augustus, or the Poetic Ego of Odes 1-3," AJPh 112 (1991) pp. 365-388.

 

Miller, S.G. "Drinking Uncut-Wine ... to Death: Unpublished Epigram for a Youth from Ephesus," The Ancient World 2:1 (1979) pp. 29-30.

 

Minadeo, R. "Vergil in Horace's Odes 4.12," CJ 71 (1975) pp. 161-164.

 

            . The Golden Plectrum: Sexual Symbolism in Horace's Odes (Amsterdam: Rodopi, 1982).

 

Mole, W. Gods, Men, and Wine (London: Wine and Food Society, 1966).

 

Momigliano, A. "Perizonius, Niebuhr, and the Character of Early Roman Tradition," JRS 47 (1957) pp. 104-114.

 

Moritz, L.A. "Some 'Central' Thoughts on Horace's Odes," CQ n.s. 18 (1968) pp. 116-131.

 

            . Horace's Virgil," G&R ser. 2, 16 (1969) pp. 174-193.

 

Muecke, F. "Law, Rhetoric, and Genre in Horace, Satires 2.1," in Harrison (1995) pp. 203-218.

 

Mueller, H.-F. Roman Religion in Valerius Maximus (London: Routledge, 2002).

 

Mühll, Peter von der. "Das griechische Symposion," in Ausgewählte kleine Schriften (Basel: Friedrich Reinhardt, 1976) pp. 483-505.

 

Munro, H.A.J. Criticisms and Elucidations of Catullus (Cambridge: Deighton, Bell and Co., 1878).

 

Münzer, F. Römische Adelsparteien und Adelsfamilien (Stuttgart: J.B. Metzler, 1920); trans., Roman Aristocratic Parties and Families (Baltimore: Johns Hopkins Univ. Press, 1999).

 

Murray, O. Early Greece (Sussex: Harvesters Press, 1980); 2nd ed. (Cambridge: Harvard Univ. Press, 1993).

 

            . "The Greek Symposion in History," in Gabba (1983) pp. 257-272.

 

            . "The Symposion as Social Organization," in Hägg (1983) pp. 195-199.

 

            . "Symposion and Männerbund," in Oliva and Frolíkova (1983) pp. 47-52.

 

            . "Symposium and Genre in the Poetry of Horace," JRS 75 (1985) pp. 39-50.

 

            , ed. Sympotica: A Symposium on the Symposion (Oxford: Clarendon, 1990).

 

             and Tecusan, M., edd. In Vino Veritas (London: British School at Rome, 1995).

 

Mutschler, F.-H. "Beobachtungen zur Gedichtanordnung in der ersten Odensammlung des Horaz," RhM 117 (1974) pp. 109-133.

 

Nagy, G. "Copies and Models in Horace Odes 4.1 and 4.2," CW 87 (1994) pp. 415-426.

 

            ."The Name of Apollo: Etymology and Essence," in Solomon (1994) pp. 3-7.

 

Newlands, C.E. Playing with Time: Ovid and the Fasti (Ithaca: Cornell Univ. Press, 1995).

 

Newman, J.K. Augustus and the New Poetry. Collection Latomus 88 (Brussels, 1967a).

 

            . The Concept of Vates in Augustan Poetry. Collection Latomus 89 (Brussels, 1967b).

 

            . "Callimachus and the Epic," in Heller and Newman (1974) pp. 342-360.

 

            . The Classical Epic Tradition (Madison: Univ. Wisconsin Press, 1986).

 

            . Roman Catullus and the Modification of the Alexandrian Sensibility (Hildesheim: Weidmann, 1990).

 

            , and Newman, F.S. Pindar's Art: Its Traditions and Aims (Hildesheim: Weidmann, 1984).

 

Nightingale. A.W. Genres in Dialogue: Plato and the Construct of Philosophy (Cambridge: Univ. Press, 1995).

 

Nisbet, R.G.M. "Romanae Fidicen Lyrae: The Odes of Horace," in Sullivan (1962) pp. 181-218.

 

            . "The Oak and the Axe: Symbolism in Seneca, Hercules Oetaeus 1618ff.," in Whitby (1987) pp. 243-251.

 

            . "Footnotes on Horace," in Diggle (1989) pp. 87-96.

 

Nock, A.D. "The Emperor's Divine Comes," JRS 37 (1947) pp. 102-116.

 

Norden, E. Agnostos Theos: Untersuchungen zur Formengeschichte religiöser Rede (Leipzig: Teubner, 1916); 4th ed. (Darmstadt: Wissenschaftliche Buchgesellschaft, 1956).

 

O'Hara, J. "Virgil's Style," in Martindale (1997) pp. 241-258.

 

Oliensis, E. Horace and the Rhetoric of Authority (Cambridge: Univ. Press, 1998).

 

Oliva, P., and Frolíkova, A., edd. Concilium Eirene XVI: Proceedings of the 16th International Eirene Conference Prague 31.8-4.9 1982 (Prague, 1983).

 

Olson, S.D., and Sens, A., edd. Archestratos of Gela: Greek Culture and Cuisine in the Fourth Century BCE (Oxford: Clarendon, 2000).

 

Opperman, H. "Maecenas' Geburtstag (Horat. c. IV 11)," Gymnasium 64 (1957) pp. 102-111.

 

Pallottino, M. Art of the Etruscans (London: Thames and Hudson, 1955).

 

Pasquali, G. Orazio lirico (Florence: Le Monnier, 1920); reprint (1966).

 

Paschalis, M., ed. Horace and Greek Lyric Poetry. Rethymon Classical Studies, 1 (Univ. of Crete, 2002).

 

Pavlock, B. "Horace's Invitation Poems to Maecenas: Gifts to a Patron," Ramus 11 (1982) pp. 79-98.

 

Pearce, J.; Millett, M.; and Struck, M., edd. Burial, Society, and Context in the Roman World (Oxford: Oxbow, 2000).

 

Perkell, C. The Poet's Truth: A Study of the Poet in Virgil's Georgics (Berkeley: Univ. California Press, 1989).

 

            , ed. Reading Vergil's Aeneid: An Interpretive Guide (Norman: Univ. Oklahoma Press, 1999).

 

Pernot, L. La rhétorique de l' élogie dans le monde greco-romain. 2 vols. (Paris: Institut d' études augustiniennes, 1993).

 

Perret, J. Horace. trans. (New York: Univ. Press, 1964).

 

Pichon, René. De sermone amatorio apud latinos elegiarum scriptores (Paris: Hachette, 1902).

 

Pollini, J. "Man or God: Divine Assimilation and Imitation in the Late Republic and Early Principate," in Raaflaub and Toher (1990) pp. 334-363.

 

Port, W. "Die Anordnung in Gedichtbüchern augusteischer Zeit," Philologus 81 (1926) pp. 280-308, 427-468.

 

Porter, D. "Horace Carmina, IV,12," Latomus 31 (1972) pp. 71-87.

 

            . "The Recurrent Motifs of Horace, Carmina IV," HSPh 79 (1975) pp. 189-228.

 

            . Horace's Poetic Journey: A Reading of Odes 1-3 (Princeton: Univ. Press, 1987).

 

Pöschl, V., ed. 2000 Jahre Vergil: ein Symposion. Wolfenbütteler Forschungen 24 (Wiesbaden, 1983).

 

Powell, A., ed. Roman Poetry and Propaganda in the Age of Augustus (London: Bristol Classical Press, 1992).

 

Pucci, J. "Horace and Virgilian Mimesis: A Re-Reading of Odes 1.3," CW 85 (1992) pp. 659-673.

 

Pucci, P. "Lingering on the Threshold," Glyph 3 (1978) pp. 52-73.

 

Putnam, M.C.J. Artifices of Eternity: Horace's Fourth Book of Odes (Ithaca: Cornell Univ. Press, 1986).

 

            . "Horace, Carm. 2.9: Augustus and the Ambiguities of Encomium," in Raaflaub and Toher (1990) pp. 212-238.

 

            . "The Languages of Horace's Odes 1.24," CJ 88 (1993) pp. 123-135.

 

            . "Design and Allusion in Horace, Odes I.6," in Harrison (1995) pp. 50-64.

 

            . Horace's Carmen Saeculare: Ritual Magic and the Poet's Art (New Haven, CT: Yale Univ. Press, 2000).

 

Quinn, K. Latin Explorations: Critical Studies in Roman Literature (London: Routledge, 1963).

 

Raaflaub, K.A., and Toher, M., edd. Between Republic and Empire: Interpretations of Augustus and His Principate (Berkeley: Univ. California Press, 1990).

 

Race, W.H. "Odes 1.20: An Horatian Recusatio," California Studies in Classical Antiquity 11 (1978) pp. 179-196.

 

            . The Classical Priamel from Homer to Boethius. Mnemosyne Suppl. 74 (Leiden: Brill, 1982).

 

            . Classical Genres and English Poetry (London: Croom Helm, 1988).

 

Radke, G. "Le carmen Lollianam d' Horace," Latomus 45 (1986) pp. 768-782.

 

Ramage, E.S. The Nature and Purpose of Augustus' "Res Gestae" (Stuttgart: F. Steiner, 1987).

 

Ramsey, J.T., and Licht, A. Lewis. The Comet of 44 B.C. and Caesar's Funeral Games (Atlanta, GA: Scholar's Press, 1997).

 

Ray, C. "Wines of Italy," in Simon (1967) pp. 151-266.

 

Reckford, K. "Some Studies in Horace's Odes on Love," CJ 55 (1959) pp. 25-33.

 

            . "The Eagle and the Tree (Horace, Odes 4.4)," CJ 56 (1960) pp. 23-28.

 

            . Horace (New York: Twayne Publishers, 1969).

 

Reece, R., and Collins, J., edd. Burial in the Roman World (London: Council for British Archaeology, 1977).

 

Reitzenstein, R. Epigramm und Skolion: ein Beitrag zur Geschichte der alexandrinischen Dichtung (Giessen: Ricker'sche Buchhandlung, 1893); reprint (Hildesheim: G. Olms, 1970).

 

Renehan, R. "Shackleton Bailey and the Editing of Latin Poetry. A Latin Classic," CPh

88 (1988) pp. 311-328.

 

Richards, G. Housman, 1897-1936 (New York: Oxford Univ. Press, 1942).

 

Riposati, B. "L' ultima ode di Orazio (IV,15) e i carmi convivali," Rivista di Cultura Classica e Medioevale 25 (1983) pp. 3-11.

 

Rooy, C.A. van. "Arrangement and Structure of Satires in Horace, Sermones Book I: Satires 9 and 10," AClass 15 (1972) pp. 37-52.

 

            . "'Imitatio' of Vergil, Eclogues in Horace, Satires, Book I," AClass 16 (1973) pp. 69-88.

 

Ross, D. Backgrounds to Augustan Poetry: Gallus, Elegy and Rome (Cambridge: Univ. Press, 1975).

 

Rudd, N. "Horace's Encounter With The Bore," Phoenix 15 (1961) pp. 79-96.

 

            . The Satires of Horace: A Study (London: Cambridge Univ. Press, 1966).

 

            , ed. Horace 2000: A Celebration, Essays for the Bimillennium (Ann Arbor: Univ. Michigan Press, 1993).

 

Sage, P.W. "Vatic Admonition in Horace Odes 4.9," AJPh 115 (1994) pp. 565-586.

 

Saller, R.P. Personal Patronage under the Early Empire (Cambridge: Univ. Press, 1982).

 

            . "Patronage and Friendship in Early Imperial Rome: Drawing the Distinction," in Wallace-Hadrill (1989) pp. 49-62.

 

Salmon, E.T. "Horace's Ninth Satire In Its Setting," in White (1952) pp. 184-193.

 

Sandel, M.J. Democracy's Discontent: America in Search of a Public Philosophy (Cambridge: Harvard Univ. Press, 1996).

 

Santirocco, M.S. Unity and Design in Horace's Odes (Chapel Hill: Univ. North Carolina Press, 1986).

 

            . "Horace and Augustan Ideology," Arethusa 28 (1995) pp. 225-243.

 

Schiesaro, A. The Boundaries of Knowledge in Vergil's Georgics," in Habinek and Schiesaro (1997) pp. 63-89.

 

Schmeling, G. "The Exclusus Amator Motif in Petronius," in Fons Perennis: Saggi critici di Filologia Classica raccolti in onore del Prof. Vittorio D' Agostino (Torino, 1971) pp. 333-357.

 

Schmidt, E.A. "Vergils Glück. Seine Freundschaft mit Horaz als ein Horizont unseres Verstehens," in Pöschl (1983) pp. 1-36.

 

Scott, K. "Octavian's Propaganda and Antony's De Sua Ebrietata," CPh 24 (1929) pp. 133-141.

 

            . "The Political Propaganda of 44-30 B.C.," MAAR 11 (1933) pp. 7-49.

 

Scullard, H.H. From the Gracchi to Nero: A History of Rome (New York: F. Praeger, 1959); 5th ed. (London: Methuen, 1982).

 

Seager, R. "Horace and Augustus: Poetry and Policy," in Rudd (1993) pp. 23-40.

 

Setaioli, A., ed. Orazio: umanità, politica, cultura. Atti del Convegno di Gubbio, 20-22 ottobre 1992 (Perugia: Università di Perugia, 1995).

 

Shackleton Bailey, D.R. Profile of Horace (Cambridge: Harvard Univ. Press, 1982).

 

Sichtermann, H. Ganymed, Mythos und Gestalt in der antiken Kunst (Berlin: Mann, 1953).

 

Sider, D. "'As Is the Generation of Leaves' in Homer, Simonides, Horace, and Stobaeus," in Boedeker and Sider (2001) pp. 272-288.

 

Silk, E.T. "Bacchus and the Horatian Recusatio," YCS 21 (1969) pp. 195-212.

 

Simon, A.L., ed. The Wines of the World (New York: McGraw-Hill, 1967).

 

Simon, E. Die Portlandvase (Mainz: Römisch-Germanisches Zentralmuseum, 1957).

 

            . Augustus: Kunst und Leben in Rom um die Zeitenwende (Munich: Hirmer, 1986).

 

Slater, W.J. "Sympotic Ethics in the Odyssey," in Murray (1990) pp. 213-220.

 

            , ed. Dining in a Classical Context (Ann Arbor: Univ. Michigan Press, 1991).

 

Smith, R.A. "Horace Odes 1.6: Mutatis Mutandis, a most Virgilian Recusatio," Gymnasium 101 (1994) pp. 502-505.

 

Snell, B. Dichtung und Gesellschaft: Studien zum Einfluß der Dichter auf das soziale Denken und Verhalten im alten Griechenland (Hamburg: Claassen, 1965).

 

Solomon, J., ed. Apollo: Origins and Influences (Tucson: Univ. Arizona Press, 1994).

 

Solmsen, F. "Propertius and Horace," CPh 43 (1948) pp. 105-109.

 

Southern, P. Augustus (London: Routledge, 1998).

 

Stoppard, T. The Invention of Love (London: Faber and Faber, 1997); 1st ed. (New York: Garland, 1998).

 

Sullivan, J.P., ed. Critical Essays on Roman Literature: Elegy and Lyric (Cambridge: Harvard Univ. Press, 1962).

 

Syme, R. "Some Notes on the Legions Under Augustus," JRS 23 (1933) pp. 14-33.

 

            . The Roman Revolution (Oxford: Clarendon, 1939).

 

            . Tacitus. 2 vols. (Oxford: Clarendon, 1958).

 

            . History in Ovid (Oxford: Clarendon, 1978).

 

            . The Augustan Aristocracy (Oxford: Clarendon, 1986).

 

            . "Janus and Parthia in Horace," in Diggle (1989) pp. 113-124.

 

Syndikus, H.P. "Some Structures in Horace's Odes," in Harrison (1995) pp. 17-31.

 

Tatum, W. Jeffrey. "Ultra Legem: Law and Literature in Horace, Satires II 1," Mnemosyne Ser. 4, 51 (1998) pp. 688-699.

 

Tarrant, R. "Ovid and Ancient Literary History," in Hardie (2002a) 13-33.

 

Taylor, L.R. The Divinity of the Roman Emperor (Middletown, CT: American Philological Assoc., 1931).

 

Thomas, R.F. "Callimachus, the Victoria Berenices and Roman Poetry." CQ n.s. 33 (1983) pp. 92-113.

 

            . "From Recusatio to Commitment. The Evolution of the Vergilian Programme," Papers of the Liverpool Latin Seminar 5 (1985) pp. 61-73.

 

            . Virgil and the Augustan Reception (Cambridge: Univ. Press, 2001).

 

Tomlinson, R.A. "The Chronology of the Perachora Hestiatorion and its Significance," in Murray (1990) pp. 95-101.

 

Torelli, M. Tota Italia: Essays in the Cultural Formation of Roman Italy (Oxford: Clarendon, 1999).

 

Tovar, A. "Augustus Ridicules Horace's Shortness: A Comment on the Word Sextariolus," AJPh 89 (1968) pp. 334-341.

 

Toynbee, J.M.C. Death and Burial in the Roman World (Ithaca: Cornell Univ. Press, 1971).

 

Tränkle, H. "Von Keller-Holder zu Shackleton Bailey. Prinzipen und Probleme der Horaz-Edition," in Horace. L' oeuvre et les imitations: un siècle d' interprétation. Fondation Hardt: Entretiens sur l' antiquité classique 39 (Geneva, 1993) pp. 1-40.

 

Trimpi, W. The Meaning of Horace's Ut pictura poesis," Journal of the Warburg and the Courtauld Institute 36 (1973) pp. 1-34.

 

Vermeule, E. Aspects of Death in Early Greek Art and Pottery (Berkeley: Univ. California Press, 1979).

 

Verrall, A.W. Studies, Literary and Historical, in the Odes of Horace (London: Macmillan, 1884); reprint (New York: G.E. Stechert, 1924).

 

Vessey, D.W.T. "From Mountain to Lover's Tryst: Horace's Soracte Ode." JRS 75 (1985) pp. 26-38.

 

Vickers, B., ed. Rhetoric Revalued: Papers from the International Society for the History of Rhetoric. Medieval & Renaissance Texts and Studies 19 (Binghamton, NY, 1982).

 

Vickers, M.J. Greek Symposia (London: Joint Assoc. of Classical Teachers, 1978).

 

            . "Attic Symposia after the Persian Wars," in Murray (1990) pp. 105-121.

 

Vogt-Spira, G., ed. Beiträge zur mündlichen Kultur de Römer. ScriptOralia 47 (Tübingen: Grunter Narr, 1993).

 

Wallace-Hadrill, A., ed. Patronage in Ancient Society (London: Routledge, 1989).

 

Weinstock, S. Divus Julius (Oxford: Clarendon, 1971).

 

West, D. Horace Odes I: Carpe Diem (Oxford: Clarendon, 1995).

 

            . Horace Odes II: Vatis Amici (Oxford: Clarendon, 1998).

 

West, M.L. "Stesichorus," CQ n.s. 21 (1971) pp. 302-314.

 

            . Studies in Greek Elegy and Iambus (Berlin: de Gruyter, 1974).

 

Whitby, Michael; Hardie, P.; and Whitby, Mary, edd. Homo Viator: Classical Essays for John Bramble (Bristol: Bristol Classical Press, 1987).

 

Whitby, Mary, ed. The Propaganda of Power: The Role of Panegyric in Late Antiquity (Leiden: Brill, 1998).

 

White, M.E., ed. Studies in Honour of Gilbert Norwood (Toronto: Univ. Press, 1952).

 

White, P. "Maecenas' Retirement," CPh 86 (1991) pp. 130-138.

 

            . Promised Verse: Poets in the Society of Augustan Rome (Cambridge: Harvard Univ. Press, 1993).

 

            . "Postumus, Curtius Postumus, and Rabirius Postumus," CPh 90 (1995) pp. 151-161.

 

Wilamowitz-Moellendorff, U. von. "Apollon," Hermes 38 (1903) pp. 575-586.

 

            . Sappho und Simonides: Untersuchungen über griechische Lyriker (Berlin: Weidmann, 1913).

 

Wili, W. Horaz und die Augusteische Kultur (Basel: Benno Schwabe and Co., 1948).

 

Wilkinson, L. Horace and His Lyric Poetry (Cambridge: Univ. Press, 1945).

 

            . Golden Latin Artistry (Cambridge: Univ. Press, 1963).

 

Williams, G. "Poetry in the Moral Climate of Augustan Rome," JRS 52 (1962) pp. 28-46.

 

            . Tradition and Originality in Roman Poetry (Oxford: Clarendon, 1968).

 

            . Horace. Greece & Rome, New Surveys in the Classics 6 (Oxford: Clarendon, 1972).

 

            . Figures of Thought in Roman Poetry (New Haven, CT: Yale Univ. Press, 1980).

 

            . "Did Maecenas 'Fall from Favor'? Augustan Literary Patronage," in Raaflaub and Toher (1990) pp. 258-275.

 

Williams, G.D. Banished Voices: Readings in Ovid's Exile Poetry (Cambridge: Univ. Press, 1994).

 

Wills, J. Repetition in Latin Poetry: Figures of Allusion (Oxford: Clarendon, 1996).

 

Wimmel, W. Kallimachos in Rome: Die Nachfolge seines apologetischen Dichtens in der Augusteerzeit. Hermes Einzelschriften 16 (Wiesbaden, 1960).

 

            . "Recusatio-Form und Pindarode," Philologus 109 (1965) pp. 83-103.

 

Winbolt, S.E. Latin Hexameter Verse (London: Methuen, 1903): reprint (New York: Garland, 1978).

 

Winkes, R. The Age of Augustus: Interdisciplinary Conference Held at Brown University, April 30 - May 2, 1982 (Providence, RI, 1985).

 

Woodman, A.J., and Powell, J, edd. Author and Audience in Latin literature (Cambridge: Univ. Press, 1992).

 

Woodman, A.J., and West, D., edd. Poetry and Politics in the Age of Augustus (Cambridge: Univ. Press, 1984).

 

Zanker, P. "Der Apollontempel auf dem Palatin. Ausstattung und politische Sinnbezüge nach der Schlacht von Actium," in Cittá e Architettura nella Roma Imperiale. Analecta Romana Instituti Danici Supplementum 10 (Copenhagen, 1983) pp. 21-40.

 

            . The Power of Images in the Age of Augustus (Ann Arbor: Univ. Michigan Press, 1988).

 

Zetzel, J.E.G. "Horace's Liber Sermonum: The Structure of Ambiguity," Arethusa 13 (1980) pp. 59-77.

 

Zorzetti, N. "The Carmina Convivalia," in Murray (1990) pp. 289-307.

 

            . "Poetry and the Ancient City: The Case of Rome," CJ 86 (1991) pp. 311-329.

 

Zumwalt, N.K. "Horace C. 1. 34: Poetic Change and Political Equivocation," TAPhA 104 (1974) pp. 435-467.