Critical Theories for Feminist Thinking
Professor Stephanie A. Smith/LIT 4554/ Spring 2001
office: TUR 4321/ext 253/ email: ssmith@english.ufl.edu
course description
what
is feminism? what does it mean to think as a feminist? how is this critical
posture still of political use, especially in this era of the post--post-modern,
post-colonial, post-feminist? what kind of "theory" is feminist? why? why
does feminism use theory? this course is designed first and foremost as
a general introduction to the variety of analytic, theoretical and interpretative
approaches that have generated feminist thinking and debate over the last
twenty years.
the primary focus of the class will be how the critical thinking that gave
rise to feminism as a public debate has changed and continues to reshape
traditional approaches within other forms of study, such as literature,
philosophy, anthropology, political science, film, video.
most centrally, however, the course is going to be guided by the question
of how feminist critical thinking has changed, and continues to change,
our understanding and enactment of the concept of intimacy, since more
often than not intimacy is what we are all told that we need but do not
have--or that we have but either in short supply, or, worse, we do not
understand how to use it well or properly. further, we are often told that
our survival and our solace depends upon achieving this "intimacy" and
yet it is presented as the unachievable horizon, that which our "society"
prevents.
students will be asked to do the following: 1. write response papers 2.
participate in discussion 3. take a mid-term 4. take a final exam.
required reading (all books are available at Iris Books, 375-7477,
802 West University Ave.)
Davis, Angela Y. Women, Race & Class
(Vintage)
Nicholson, Linda The Second Wave: A Reader
in Feminist Theory (Routledge)
Newman, Karen Fetal Positions (Stanford)
Young-Bruehl, Elisabeth Freud on
Women (Norton)
other readings (hand-outs) will be provided by the instructor
Useful Links: On the Suffrage
Movement/On Angela Y. Davis