Lawrence
Alma-Tadema (1836-1912)
Anthony and Cleopatra
(1883)
Autumn
(1877)
The
Baths of Caracalla (1899)
A Coign of Vantage
(1895)
Expectations
(1885)
Our Favourite Custom
(1909)
The
Favourite Poet (1888)
God
Speed! (1893)
In
the
Tepidarium (1881)
Poetry
(1879)
A
Promise of Spring (1890)
Sappho and
Alcaeus (1881)
A Sculpture Gallery
(1867)
Silver
Favourites (1903)
Unconscious Rivals
(1893)
Vain Courtship
(1900)
The
Women of Amphissa (1887)
Aubrey [
Vincent] Beardsley (1872-1898) [Still Under Construction]
Photographs,
Portraits, Self-Portraits, and Caricatures:
Beardsley’s maternal grandfather,
William Pitt (c. 1850s)
Beardsley’s maternal grandmother,
Susan Lamb Pitt (c. 1850s)
Beardsley’s maternal grandfather,
William Pitt (c. 1870s)
Beardsley’s maternal grandmother,
Susan Lamb Pitt (c. 1870s)
Beardsley’s father, Vincent Paul
Beardsley (c. 1870)
Beardsley’s mother, Ellen
Agnus Beardsley (c. 1870)
Beardsley’s birthplace, 1872, 12
Buckingham Road, Brighton
Beardsley’s mother, Ellen
A. Beardsley (c. 1880s)
Beardsley’s mother, Ellen
A. Beardsley (c. 1890s)
Beardsley’s father, Vincent Paul
Beardsley (c. 1905)
Beardsley’s mother, Ellen
A. Beardsley (c. 1920s)
Aubrey Beardsley with Nanny (c. 1872)
Aubrey
Beardsley, age 3, and sister Mabel, age 4 (1875)
Aubrey
Beardsley, c. age 7 (c. 1879)
Aubrey Beardsley with toy train, c. age 7 (c. 1879)
Beardsley residence, 1882-83, 2 Ashley Villas, Epsom
Beardsley residence, 1884-88, Aunt Sarah Pitt's home,
21 Lower Rock Gardens, Brighton
Beardsley’s aunt and
benefactor, Sarah Pitt (c. 1888)
Brighton Grammar School, Brighton,
Beardsley’s school, 1884-88
Church of the Annunciation of Our Lady, Washington Street, Brighton, Beardsley’s church, 1884-88
Aubrey
Beardsley, age 13 (1885)* [head]
Aubrey
Beardsley, age 13 (1885) [standing]
Beardsley’s
sister Mabel, age 14 (c. 1885)* [head]
Beardsley’s residence, 1889-91, 32
Cambridge Street, Pimlico
Beardsley’s residence, 1891-93, 59
Charlwood Street, Pimlico
St. Barnabas’s Church, Pimlico,
Beardsley's church in London (view from west)
St. Barnabas’s Church, Pimlico,
Beardsley's church in London (view from east)
Aubrey Beardsley (the “Gargoyle” photograph), by Frederick Evans
Aubrey Beardsley, by Frederick Evans (c. 1893) [hands on face]
Beardsley’s residence, 1893-95, 114
Cambridge Street, Pimlico
Aubrey Beardsley, by Frederick
Hollyer (c. 1895?) [walking stick under arm]
Aubrey Beardsley, by Frederick
Hollyer (c. 1895?) [
Mabel Beardsley (c. 1890s)
Mabel Beardsley 2 (c. 1890s)
Mabel Beardsley 3 (c. 1890s)
Beerbohm caricature: Mr.
Aubrey Beardsley (c. 1894), Ashmolean Museum, Oxford University
Beerbohm caricature of Aubrey Beardsley, published in
The Savoy 2 (April 1896): 161. [with toy poodle]
Beerbohm caricature of Aubrey Beardsley (1896)
Oil Portrait of Beardsley, by Jacques-Émile Blanche (1895)
Self-Portrait (1892)
Self-Portrait
(1895)
Vignettes for the “Bon-Mots” Series:
Vignette for p. 15 in Bon-Mots of Samuel Foote and Theodore Hook
(1894). [bat-winged Beerbohm with dog]
Illustrations for “La Morte Darthur” (1893-94)
The
Achieving of the Sangreal (1894)*
Arthur and the Strange Mantle (1893)
Design for the chapter-heading of
Chapter XIX, Book I (p. 19) in Le Morte Darthur (1893-94)
How a Devil in Woman's Likeness Would Have Tempted Sir Bors (1894)
How Four Queens Found Launcelot Sleeping (1893)
How King Arthur Saw the Questing
Beast and Thereof Had Great Marvel (1893)
How King Mark Found Sir Tristram Sleeping (1893)
How King Mark and Sir Dinadan Heard Sir Palomides Making Great Sorrow
and Mourning for La Beale Isoud (1894)
How La Beale Isoud Nursed Sir Tristram (1893)
How
La Beale Isoud Wrote to Sir Tristram (1893)
How Morgan Le Fay Gave a Shield to Sir Tristram (1893)
How Queen Guenever Made Her a Nun (1894)
How
Queen Guenever Rode on Maying (1894)
How Sir
Bedivere Cast the Sword Excalibur into the Water (1894)
How Sir Launcelot Was Known by Dame Elaine (1894)
How
Sir Tristram Drank of the Love Drink (1893)*
La
Beale Isoud at Joyous Gard (1893)
The Lady of the Lake Telleth Arthur of the Sword Excalibur (1893)
Merlin (1893)
Merlin and Nimue (1893)
Merlin Taketh the Child Arthur Into His Keeping (1893)
Siegfried,
Act II (1893)*
Sir Launcelot and the Witch Hellawes (1893)
Other Early Pictures (1883-94)
J'ai
Baisé Ta Bouche, Iokanaan (1893)
The Jubilee Cricket Analysis (1883)
The Kiss of Judas (1893)
Program for the Cambridge Street Theatre of Varieties (1889)
A Snare
of Vintage, for Lucian ’ s True
History (not used) (1894)
A Snare of Vintage, from Lucian ’s True History (1894)*
Tannhäuser
(1891)
Illustrations for “Salome”
(1894)
The Woman in the Moon, for Salome
(1894)
Title-page, for Salome
(1894)-2900
Title-page, for Salome
(1894)
Border for the List of
Pictures, for Salome (1894)
The Peacock Skirt, for Salome
(1894)
The Black Cape, for Salome
(1894)
The Platonic Lament, for
Salome (1894)
John and Salome, for Salome
(1894; 1907)
Enter Herodias, for Salome (1894)
The Eyes of Herod, for Salome (1894)
The Stomach Dance, for Salome
(1894)
The Toilet of Salome (First
Version), for Salome (1894) (not used)
The Toilet of Salome (Second Version),
for Salome (1894)
The Dancer’s Reward, for Salome
(1894)
The
Climax, for Salome (1894)
Salome on Settle, or Maitresse
d’Orchestre , for Salome (1894; 1907)
The
Burial of Salome (cul-de-lampe), for Salome (1894)
Pictures from the "Yellow Book” Period (1894-96)
Birth
from the Calf of the Leg, for Lucian's True History (not used)
(1894)
Bookplate of John Lumsden Propert,
reproduced in Yellow Book 1 (April 1894), Plate 14, p. [251] (1894)
Cover of The Yellow Book, Volume 1 (1894)
Design for a poster to advertise The Yellow Book (but not used)
(c. 1895)
The Fat Woman
(1895)*
Frontispiece
for Chopin's Third Ballade (1895)
Madame Réjane, from
Yellow Book 2 (1894)
Messalina
Returning Home or Messalina and
Her Companion (1895)
The
Mysterious Rose Garden (1895)
Poster advertising Children's Books (1894)
The
Return of Tannhäuser to the Venusberg (c. 1894)
Venus
Between Terminal Gods (1895)*
Contents
Page of The Yellow Book, Volume 9 (1896)
Illustrations for "Under the Hill” / "The Story of Venus and
Tannhäuser” (1896)
Saint
Rose of Lima (1896)*
The Toilet of Helen (1896)
Illustrations for "The Rape of the Lock”
The Billet-Doux, from The Rape of the Lock (1896)
The Dream (1896)
Other Pictures from the "Savoy” Period (1895-96)
Bathyllus
(1896)
Bathyllus and the Swan Dance (1896)
Black
Coffee (1896)*
A
Christmas Card (1896)
The
Coiffing (1896)
Cover of The
Savoy, Volume 5 (1896)
Cul-de-lampe illustrating Beardsley's poem “
The Ballad of a Barber ” (1896)
Death of
Pierrot (1896)
Felix
Mendelssohn Bartholdy (1896)
Flosshilde
(1896)
The Fruit
Bearers (1896)
Juvenal Scourging Woman (1896)
Moska
(1896)
A
Portrait of Himself (1896)
Sketch
(in pencil) of a Young Girl (1896)
Valmont
(1896)
Illustrations for "Lysistrata” (1896-97)
Cinesias
Entreating Myrrhina to Coition, from Lysistrata (1896)*
The
Examination of the Herald, from Lysistrata (1896)*
The
Lacedaemonian Ambassadors, from Lysistrata (1896)*
Lysistrata Defending the Acropolis, from Lysistrata (1896)*+
Lysistrata
Haranguing the Athenian Women, from Lysistrata (1896)
Lysistrata
Shielding Her Coynte, from Lysistrata (1896)*
The
Toilet of Lampito, from Lysistrata (1896)*
Two
Athenian Women in Distress, from Lysistrata (1896)
Other Later Pictures (1897-98)
Bookplate
of poet Olive Custance (1897)*
Messalina
Returning from the Bath (1897)
Max Beerbohm
(1872-1956) [Still Under Construction]
Mr. Aubrey Beardsley
(Published in Pall Mall Budget, 7 June
1894), V&A Museum
Mr.
Aubrey Beardsley (c.
1894), Ashmolean Museum, Oxford University
Caricature of Aubrey Beardsley (Published in The Savoy 2
[April 1896]: 161) [with toy poodle]
[Robert] Anning Bell (1863-1933) [Still Under Construction]
Arethusa
(Illustration to Keats)
Headpiece
Mary in the House of St. Elizabeth
The Mermaid
Music by the Water
Queen Hippolyta’s Guard
A Spring Revel (1916)
William Blake (1757-1827)
The
Argument, from The Marriage of Heaven and Hell
(Plate 2)
Beatress
Addressing Dante
Dante and Virgil at
the Gates of Hell (Illustration to Dante’s Inferno)
The Great
Red Dragon and the Woman Clothed in Sun (c. 1806-09)
The Great Red
Dragon and the Woman Clothed in Sun (c. 1805-10)
The Marriage of
Heaven and Hell (1790-93)
Nebuchadnezzar
(1795-1805)
Oberon,
Titania with Fairies Dancing (1786)
Pity
(1795)
Whirlwind of Lovers
[Adolphe] William Bouguereau (1825-1905)
The
Abduction of Psyche (1895)
Cupidon
(1875)
Naissance
de Vénus [Birth of Venus] (1879)
Evening Mood (1882)
Lear and
Cordelia (1849-54)
Le
Printemps [The
Return of Spring] (1866)
Young
Girl Defending Herself Against Eros (1880)
John Brett (1831-1902)
Britannia’s Realm (1880)
Florence
from Bellosguardo (1863)
Glacier of
Rosenlaui (1856)
Lady with a
Dove: Madame Loeser (1864)
The Stonebreaker
(1858)
The Val d’Aosta (1858)
Ford Madox Brown (1821-93)
The Finding of Don Juan
by Haidee (1878)
The
Hayfield (1855-56)
Jesus
washing Peter’s
feet at the
Last Supper (c. 1865)
The Last
of England (1855)
Manfred
on the Jungfrau (1840-61)
Seeds
and Fruits of English Poetry (1853)
Stages of
Cruelty (1856-90)
“Take
Your Son, Sir!” (1851-92) [unfinished]
Work (1852-63)
Edward
Coley
Burne-Jones (1833-1898)
The Annunciation
(1879)
The Baleful Head
(1886-87)
The Beguiling of
Merlin (1874)
King Cophetua and the Beggar Maid (1884)
The Depths of the
Sea (1887)
The
Golden Stairs (1866-80)
Love Among the Ruins
(1894)
Pan and Psyche
(1872-74)
Perseus Slaying the Sea Serpent (1876-88)
Phyllis
and Demophöon (1870)
Pygmalion & the Image:
The Heart Desires (1868-78)
Pygmalion & the Image:
The Hand Refrains (1868-78)
Pygmalion & the Image:
The Godhead Fires (1868-78)
Pygmalion &
the Image: The Soul Attains (1868-78)
Temperantia
(1892)
William Shakespeare Burton (1826-1916)
The Wounded Cavalier (1855)
Alexandre
Cabanel (1823-89)
Cleopatra Testing Poisons on Condemned Prisoners (1897)
The Death
of Francesca da Rimini and Paolo Malatesta (1870)
Naissance
de Vénus [Birth of Venus] (1863)
Phèdre (1880)
Randolph
Caldecott (1846-86) [Still Under
Construction]
John Collier
(1850-1934)
Clytemnestra
A
Glass of Wine (1893)
In
the
Venusburg (Tannhäuser) (1901)
Lady
Godiva (1898)
Lilith
(1887)
The
Pharaoh’s Handmaidens (1883)
The
Priestess of Delphi (1891)
Water
Baby (1890)
Charles
Allston Collins (1828-73)
Berengaria ’s Alarm
(1850)
Convent Thoughts (1851)
May, in
Regent ’s Park (1851)
James
Collinson (1825-1881)
Answering the Emigrant’s Letter (1850)
The Empty
Purse (c. 1857)
The Holy Family (1878)
Home Again
(1856)
The Renunciation
of Queen Elizabeth of Hungary (1848-50)
Gustave
Courbet (1819-77)
La
Source (1868)
La Source du Monde [The Origin of the World] (1862)
Woman with a
Parrot (1865-66)
The
Young Ladies on the Banks of the Seine (Summer) (1857)
Angelo Graf
Von Courten (1848-1925) [Still Under
Construction]
Love and Strength (c. 1894)
Frank [
Cadogan] Cowper (1877-1934)
La
Belle Dame Sans Merci (1910)
La Belle
Dame Sans Merci (1926)
Rapunzel
(1900)
Vanity
(1907)
Vanity
(1919)
Walter Crane
(1845-1915)
Photograph of Walter Crane
La Belle
Dame Sans Merci (c. 1865)
Illustration for Buckle My Shoe (late 1860s, early 1870s)
Danseuse aux Cymbales (1894)
Diana
(1881)
Diana and
Endymion (1883)
Illustration from Flowers from Shakespeare’s Garden (late
1880s)
The Four
Seasons
Illustration from Grimm’s Fairy Tales [Sleeping Beauty]
The Horses
of Neptune (c. 1892)
King Arthur
and the Giant, Book I, canto VIII, engraving, illustration from a
19th century version of Spenser’s The Faerie Queene
King
Neptune
The
Renaissance of Venus (1877)
Sir
Galahad
Summer
(1895)
Venus
(1872)
William
Davis (1812-73) [Still Under
Construction]
Carving His Name
Hale,
Lancashire (c. 1860)
The Rainbow
View
from Bidston Hill
Eugène Delacroix (1798-1863)
Andromeda
(1852)
The Barque
of Dante (1822)
The Death
of Sardanapalus (1827-28)
Female Nude
Reclining on a Divan (1825-26)
Greece on
the Ruins of Missolonghi (1826)
Liberty
Leading the People (1830)
Louis d ’Orleans showing his Mistress
(1825-26)
Medea
(1838)
Woman with
a Parrot (1827)
The Women
of Algiers in their Apartment (1834)
Walter [Howell] Deverell (1827-1854) [Still Under Construction]
The Grey Parrott (1852-53)
A
Pet (c. 1853)
Twelfth Night, Act II, Scene IV (1850)
Frank [Bernard] Dicksee (1853- 1928)
La Belle Dame Sans Merci (1902)
Chivalry
(1885)
The Confession
(1896)
The
End
of the Quest (1921)
Funeral of a Viking (1893)
Harmony
(1877)
Leila , or
Passion (1892)
An
Offering (1898)
Romeo and Juliet (c. 1890)
Startled (1892)
The Two Crowns
(1900)
Herbert Draper (1864-1920)
Flying
Fish (1910)
The
Gates of Dawn (1900, black & white)
The Golden Fleece
(1904)
The
Kelpie (1913)
The
Lament for Icarus (1898)
The Sea Maiden
(1894)
Ulysses
and the Sirens (1909)
A
Water
Baby (1900)
William Dyce (1806-64)
Hospitality: The
Admission of Sir Tristram to the Fellowship of the Round Table
(1846)
The Knights of the
Round Table Departing on the Quest for the Holy Grai l (1849)
The Meeting of
Jacob and Rachel (1850-53)
Mercy -
Sir Gawaine Swearing to Be Merciful and Never Be Against the Ladies
(1854)
Neptune Resigning
to Britannia the Empire of the Sea (1847)
Pegwell Bay
(1858)
Augustus
[Leopold] Egg (1816-1863)
Beatrix
Knighting Esmond (1857)
Past and Present,
No. 1 (1858)
Past and Present,
No. 2 (1858)
Past and Present,
No. 3 (1858)
Scene from “The Devil Upon Two
Sticks” (c. 1844)
Travelling Companions
(1862)
John
William
Godward (1861-1922)
Athenais (1908)
At the Thermae (1909)
The Betrothed
(1892)
Campaspe (1896)
The
Delphic Oracle (1899)
Dolce Far Niente
(1897)
Dolce Far Niente
(1904)
Expectation
(1900) [Manchester City Museum]
In the Tepidarium (1913)
The
Mirror, or Contemplation
(1899)
Mischief and Repose (1895)
A Priestess
(1893)
The Tease (1901)
Tigerskin
The
Toilet (1900)
Kate Greenaway
(1846-1901)
Almanac Illustrations
Almanac Reprints
Down the Steps
Like Mother Like Daughter
Arthur Hughes (1832-1915)
April Love
(1855-56)
La Belle Dame Sans Merci (1861-63)
Endymion (1868-70)
Good Night
(1865-66)
The Heavenly Stair (1887-88)
Home from the Sea
(1856-63)
In the Grass
(1864-65)
Knight of the Sun (1861)
Lady of Shalott (1872-73)
The
Long
Engagement (1854-59)
Ophelia (1851-53)
Ophelia and He Will Not Come Again (1863-64)
Overthrowing of
the Rusty Knight (1908)
Sir Galahad
(1865-70)
[William] Holman Hunt (1827-1910)
Various
Photographs of W. H. Hunt
The
Afterglow in Egypt (1854-63)
The
Afterglow in Egypt (1861)
The
Awakening Conscience
(1853)
Bianca
(1868-69)
Claudio
and Isabella (1850-53)
The
Eve of St. Agnes (1848)
The Finding of
the Saviour in the Temple (1854-1860)
The
Hireling Shepherd
(1851)
Isabella and the
Pot of Basil (1866-68)
The Lady of Shalott
(1889-92) [Manchester]
The Lady
of Shalott (1886-1905) [Wadsworth, Hartford,
CT]
The Lantern
Maker ’s Courtship: a Street
Scene in Cairo (1854)
The Light
of the World (1851) [Keble College, Oxford]
The Light of the World
(1853) [Manchester]
The
Scapegoat (1854-55) [Lady Lever Art Gallery, Port
Sunlight]
The
Scapegoat (1854-55) [larger image, Lady Lever Art
Gallery]
The Shadow
of Death (1870-73)
Valentine
Rescuing Sylvia from Proteus (1851)
Jean Auguste Dominique Ingres (1780-1867)
The Comtesse D
’ Haussonville
(1845)
La Grande Odalisque
(1814)
La
Source [The Origin] (1820-56)
Odalisque in Grisaille (1824-34) [black & white only]
Odalisque
with a Slave (1840)
Perseus and Andromeda (c. 1819)
The
Valpinçon Bather (1808)
Fernand Khnopff (1858-1921)
Art, or The Sphinx, or The Caresses (1896)
The
Blood of the Medusa (c.
1895) [charcoal]
Head of a
young English Girl (1895)
I Lock My
Door Upon Myself
(1891)
Sappho
(1912)
Study
of Women , or The Kiss
(1887)
The
Temptation of St Anthony (1883)
Frederic, Lord Leighton (1830-1896)
Athlete
Struggling with a Python (1874-77)
The Bath
of Psyche (c. 1890)
Clytie (1895-96)
Cymon and
Iphigenia (1884)
Daedalus and Icarus (1869)
The Fisherman and the Siren
(1856-58)
Flaming
June (1895)
The
Garden of the Hesperides (c. 1892)
Girl with a Basket of Fruit , or Eucharis (1862)
Idyll
(1880-81)
Lieder Ohne Wörte [Song Without Words] (1860-61)
Light of the Harem (c. 1880)
Odalisque (1862)
Perseus
and Andromeda (1891-94)
Perseus
and Andromeda (1891-94)
The
Return of Persephone (c. 1891)
The Spirit of the Summit (1894)
Sibyl (c. 1889)
Summer Moon (c. 1872)
Venus Disrobing
for a Bath (1866-67)
Lucien
Lévy-Dhurmer (1865-1953)
Eve
(1896)
Medusa
(1897) [Musée D'Orsay,
Paris]
Medusa
(1897) [larger image]
Ophelia
(portrait of Suzanne Reichenberg) (1900) [pastel]
Salome
Embracing the Severed Head of John the Baptist (1896)
Edwin Long (1829-91)
An Ancient Custom
(1876)
The
Babylonian Marriage Market (1875)
The
Chosen Five [color] (1885)
The Chosen Five [black & white] (1885)
Glauké--Pensive (1883)
The Gods and Their
Makers (1877)
Love’s
Labour Lost (1885)
Queen Ester
(1878)
The Search for Beauty
(1885)
‘To Her
Listening Ear Responsive Chords of Music Came Familiar and Low’
(1881)
Edouard Manet
(1832-83)
Le Balcon [The Balcony] (1869)
A Bar at the
Folies-Bergère (1881-82)
Baudelaire ’ s Mistress Reclining
(1862)
Boating (1874)
Christ with the
Angels (1864)
Concert
in the Tuileries (1860-62)
Corner of a Café-Concert (c. 1878-80)
Le
Déjeuner sur l’herbe [Luncheon on the Grass] (1863)
Lady with a Fur
(c. 1880)
Nana (1877)
Olympia (1863)
Plum Brandy
(c. 1877)
The Railway ,
or Gare St-Lazare (1872-73)
Le Repos [Repose] (1870)
Le serveuse de bocks [The Waitress] (1879)
Woman in a Tub
(1878-79)
Woman
with a Parrot , or Young Lady in 1866 (1866)
John Everett Millais (1829-96)
John
Everett Millais
, Self-Portrait
John Everett Millais
, by H. Hunt (1853)
Euphemia Chalmers (Effie) Gray , by
Thomas Richmond
Autumn Leaves
(1855-56)
The Blind
Girl (1854)
The
Bridesmaid (1851)
Bubbles
(1865-66)
Cherry Ripe
(1879)
Christ in the
House of His Parents (1849-50)
The Crown
of Love (1875)
Cymon and
Iphigenia (1848)
The Eve of St.
Agnes (1862-63)
Ferdinand lured
by Ariel (1849-50)
James Wyatt
and His Granddaughter Mary (1849)
John Ruskin
(1854)
Leisure Hours (1864)
Lorenzo and
Isabella (1848-49)
The
Knight Errant (1870)
Mariana
(1851)
Mariana
(1851)
The
Martyr of the Solway (1871)
Ophelia
(1851-52)
The Order of
Release, 1746 (1852-53)
The Woodman’s Daughter
(1851)
Albert [ Joseph] Moore (1841-93)
Apples
(1875)
A
Bathing Place (1890) [pastel]
Birds of
the Air (1878)
Blossoms
(1881)
Dreamers
(1879-82)
Jasmine
(1880)
Lilies
(1866)
Midsummer
(1887)
Myrtle
(1886)
A Reader
(1877)
Sapphires
(1877)
Silver
A Sofa
(1875)
A
Summer
Night (1887-90)
Topaz
(1879)
A Venus
(1869)
Wardrobe
(1867)
A
Workbasket (1879)
A Yellow
Room (1885)
Gustave Moreau (1826-98)
The
Apparition (1874-76)
Cleopatra
The
Daughters of Tespio (1853-83)
Galatea
(1880-81)
Hesiod
and the Muse (1891)
Jason
(1865)
Jupiter
and Semele (1895)
Jupiter
and Semele (detail)
Moses
by the Nile (1878)
Oedipus
and the Sphinx (1864) [Metropolitan Museum of Art]
Oedipus
and the Sphinx (1864)
Orpheus (1865)
The Poet
and the Siren (1894)
Saint Sebastian
and the Angel (1876)
Salome (1876)
Salome
(1890)
Salome
Dancing before Herod (1876)
Salome in the
Prison, or Salome with a Rose (1872)
Samson and Delilah (1881-82)
The Sphinx
(1887-88)
William Morris (1834-1896)
Queen
Guinevere, or La Belle Iseult (1858) [Tate Britain]
Ernest Normand
(1857-1923)
[Still Under Construction]
Playthings (1886)
Pygmalion and Galatea (1886)
A Study of Eastern Colour (1882)
Edward [John]
Poynter (1836-1919)
Andromeda
(1869)
At
Low Tide (1913)
A Visit to
Aesculapius (1880)
The Cave
of the Storm Nymphs (1903)
Diadumené
(1884)
The
Fortune Teller (1877)
On the
Temple Steps (1889)
On the Terrace
Psyche
in the
Temple of Love (1882)
The
Vision of Endymion (1901)
Charles Edward
Perugini (1839-1918)
Before the Mirror
Girl Reading (1878)
The Loom (1881)
Valentine
Cameron Prinsep (1838-1904)
Cinderella (1899)
The Death of Cleopatra
The First Awakening of Eve (1889)
Leonora di Mantua (1873)
An Unprofessional
Beauty (1880)
Illustrations and Caricatures from the journal Punch
About or Referencing
Beardsley, Decadence
An
Appropriate Illustration, by
Danby Weirdsley, Vol. 106 (1894)
SheNotes,
Vol. 106 (1894)
SheNotes Reclining,
Vol. 106 (1894)
“Ars Postera,” Vol. 106 (1894)
Quid Est
Pictura — Veritas
Falsa, Vol. 107, P. 47 (1894)
The Minx, Vol. 107
(1894)
By
Mortarthurio Whiskersley,
Vol. 107 (1894)
“Ars
Presumptera,”
Vol. 107, P. 205 (1894)
Britannia
à la Beardsley,
Vol. 108 (1895)
Beardsley
Pulling Carriage,
Vol. 108 (1895)
Published at
the Bodily Head, Vol. 108 (1895)
Le
Yellow Book, Vol.108 (1895)
About High Society,
London Season, Fashion, the Arts
Prospects for
the Coming Season,
Vol. 98, P. 147 (1890)
Successful
Opera Season, Vol. 103 (1892)
Woman With
Peacock Fan, Vol. 104, P. 21 (1893)
Japanese Fan, Vol. 104 (1893)
Tara-Ra, Vol. 104 (1893)
Girl With
Fan, Vol. 108 (1895)
Sleeves,
Vol. 109 (1895)
The Society
Novel, Vol. 110, P. 69 (1896)
Fashionable Dress, Vol. 111, P. 108 (1896)
About the New Woman, Gender Issues
“Imitation
Is the Sincerest
Flattery,” Vol. 98, P. 162 (1890)
Sterner
Stuff, Vol. 101
(1891)
A
Bird of
Prey, Vol. 102 (1892)
The
Darwinian Theory, Vol. 102, P.
291
(1892)
New Woman
with Hat, Vol. 103, P. 49 (1892)
Descent Into
the Maelstrom, Vol. 104, P. 29 (1893)
A Terrible Turk, Vol. 104 (1893)
Modern Labor,
Vol. 104 (1893)
Proceeding
By Leaps & Bounds,
Vol. 104, P. 273 (1893)
Determination,
Vol. 105
(1894)
2nd Mrs. Tanqueray,
Vol. 105,
P. 54
(1894)
2nd
Mrs. Tanqueray Is Played Out,
Vol. 106 (1894)
We’ve Not
Come To That Yet, Vol.
106 (1894)
What
It Will Soon Come To, Vol. 106
(1894)
Donna
Quixote, Vol. 106 (1894)
Billing and
Cooing, Vol. 106 (1894)
Our
Decadents (Female),
Vol. 106 (1894)
Passionate
Female Literary Types,
Vol. 106
(1894)
A Little
“New Woman,”
Vol. 107 (1894)
A “New Woman,”
Vol. 107, P. 111 (1894)
New
Woman Riding Bike, Vol. 108 (1895)
Sylvia
Scarlet, Vol. 108 (1895)
The
New Woman, Vol. 108, P. 282 (1895)
The Woman Who Wouldn’t,
Vol. 108 (1895)
The
Woman Who Wanted To,
Vol. 109 (1895)
Presiding Deity, 1895, Vol. 109
(1895)
La Belle
Dame Sans Merci,
Vol. 109, P. 268 (1895)
The New
Expression, Vol. 110 (1896)
Prospects of
the Leap Year Club,
Vol. 110 (1896)
“I Do Not Bike,”
Vol. 112, P. 17 (1897)
Pierre-Auguste
Renoir (1841-1919)
Les Baigneuses [Bathers] (1919)
The Ball at the
Moulin de la Galette (1876)
Bather Arranging
her Hair (1893)
By the
Seashore (1883)
La
Loge (1874)
Place
Clichy (1880)
Young
Boy with a Cat (1868-69)
Félician
Rops
(1833-98)
L ’Amour mouché
(1881)
LAttrapade [The Scolding] (1877)
Le
Bouge à Matelots [The Sailors' Den]
Dancing
Death (1878)
Dimanche à Bougival [Sunday in Bougival]
La Femme au Lorgnon, or La Buveuse d ’Absinthe
Frontispiece
for Les Diaboliques by Barbey d ’Aurevilly (1886)
L ’Incantation
[Incantation]
Notes d’un Vagabond par Joan d ’Ardenne
Pallas (1874)
Pornokrates , or La Dame au cochon (1879)
La
Siesta
The Supreme Vice (1883)
La Tentation de St-Antoine [The Temptation of Saint Anthony ]
(1878)
La
Toilette à Cythère
Dante Gabriel Rossetti (1828-82)
Rossetti Family
Photograph (1863)
Dante Gabriel
Rossetti, Portrait by H. Hunt (1853)
Astarte
Syriaca (1877)
Beata Beatrix (1864-70)
The
Beloved (1865-66)
The
Blessed Damozel (1875-78)
[Spencer Museum of Art]
Predella
[detail] from The
Blessed Damozel [Spencer Museum of Art]
The
Blessed Damozel (1875-78)
[Fogg Art Museum, Harvard]
The
Bower Meadow (1872)
The Day Dream
(1880)
La
Donna Della Finestra
(1879)
Ecce
Ancilla Domini
(1850) [Tate Gallery, London]
Found (1854)
La Ghirlandata
(1873) [Guildhall Art Gallery, London]
The Girlhood of
the Virgin Mary (1849)
Helen of Troy
(1863)
How
They Met Themselves (1851-60)
Joli Coeur
(1867)
King Arthur's Tomb (1854)
Ligeia Siren (1873)
Lady Lilith (1867)
Mariana
(1870) [Aberdeen Art Gallery & Museum]
Monna Vanna
(1866)
Pandora (1879)
La
Pia de ’ Tolomei
(1868-80)
Portrait
of Elizabeth Siddal (1850-65)
Portrait of
Elizabeth Siddal (1854-55)
Portrait of Elizabeth Siddal (1855)
Proserpine (1874)
Reverie
(1868)
A
Sea Spell (1877)
Sibylla
Palmifera (1866-70)
Venus Verticordia (1864-68)
Veronica
Veronese (1872)
A
Vision of Fiammetta (1878)
The
Wedding of St George and the Princess Sabra (1857)
Thomas
Rowlandson (1757-1827)
The Concert (after 1812)
A Country Outing (c. 1810)
How to Walk the Streets
The Maiden Ladies
The Modern Pygmalion (after
1812)
Stolen Kisses (after 1812)
Susanna and the Elders (after
1812)
The Wanton Frolic (1810)
Frederick Sandys (1829-1904)
Autumn
(1860-62)
La
Belle Isolde (1862)
Gentle Spring
(1863-65)
Love’s Shadow
(1867)
Mary
Magdalene (1858-60)
Medea (1868)
Morgan le
Fay (1864)
Perdita
(c. 1865)
Vivien (1863)
Carlos Schwabe (1866-1929)
Death
of a Grave Digger (1895-1900)
The Faun
(1923)
Medusa
(1895)
Les
noces du poete avec la muse ou l ’
ideal (1902)
Pain
(1893)
Pelleas and Melisande
Poster of the first Rose+Croix Salon (1892)
Spleen
and
Ideal (c. 1907-8)
William Bell Scott (1811-90) [Still
Under Construction]
A Descent of the Danes
The Death of the Venerable Bede
The Gloaming, a Manse Garden in Berwickshire (1862)
Iron and Coal (1861)
The Romans Cause a Wall to be Built for the Protection of the South
(1857)
Thomas [ B.] Seddon (1821-56) [Still
Under Construction]
Jerusalem and the Valley of Jehoshaphat from the Hill
of Evil Counsel (1854)
Elizabeth [Eleanor] Siddal (1829-62)
Clerk
Saunders (1857)
Lady
Clare (1857)
The
Ladies ’
Lament
from the Ballad of Sir Patrick Spens (1856)
The
Lady of Shalott (1853) [sketch]
The
Quest for the Holy Grail (1855-57)
Self-Portrait
(1853-54)
Simeon Solomon (1840-1905)
The
Annunciation
Carrying the Scrolls of the Law (1867)
Bacchus
(1867)
Bacchus
(1868)
Habet!
(1865)
The
Head of Medusa (1884)
Love
in Autumn (1866)
Sappho and
Erinna at Mytelene (1864)
The
Sleepers, and the One that Watcheth (1870)
Solomon [ Joseph] Solomon (1860-1927) [Still
Under Construction]
Ajax and Cassandra (1886)
A Conversation Piece (1884)
Echo and Narcissus (1895)
Job (1881-82)
Niobe (1888)
Samson (1887)
John [Roddam Spencer-] Stanhope (1829-1908)
Eve
Tempted (1877)
[Manchester City Galleries]
Love
and the Maiden (undated)
Morgan Le Fay
Our Lady of the
Water Gate
Penelope (1849)
Procris and Cephalus
Psyche and Charon
Thoughts of the Past (1859)
The Waters of
Lethe by the Plains of Elysium (1880)
Frederick George Stephens (1828-1907)
Mother and
Child (1854-56)
Franz Von Stuck (1863-1928)
Inferno
(1908)
Kiss of
the Sphinx (1895)
Salome (1906),
oil on canvas
Sensuality (1891)
Sin (1893)
Sin
(1899)
Sin
(1900)
Sphinx
(1901)
The Wounded Amazon
(1904)
Victorian
Pornographic Photograph (c. 1890s)
[Still Under
Construction]
Henry Wallis
(1830-1916)
The
Death of Chatterton (1856)
Arthur Wardle
(1864-1949)
A
Bacchante (1909)
Fate
(1904)
John Waterhouse (1849-1917)
Ariadne
(1898)
The Awakening of Adonis (1900)
La Belle Dame Sans Merci (1893)
Circe Offering the Cup to Ulysses (1891)
Cleopatra (1888)
Echo and
Narcissus (1903)
Hylas and
the Nymphs (1896)
“I am Half
Sick of Shadows,” Said the Lady of Shalott (c. 1916)
The Lady of
Shalott (1888)
The Lady of
Shalott (1894)
The Lady of Shalott (study)
(1894)
Lamia
(1905)
Mariana in the South (1897)
A Mermaid
(1900)
Ophelia (1894)
Pandora
(1896)
Psyche Opening the Golden Box (1903)
St. Cecilia (1895)
The Siren
(1900)
George Frederick Watts (1817-1904)
Ariadne on the Isle of
Naxos (1875)
Choosing
(c. 1864)
Diana and Endymion (1873)
Eve Tempted (late 70s
or early 80s)
Found Drowned
(1848-50)
The Judgement of Paris, or The
Three Goddesses (1872)
Love and
Death (1874-77)
Ophelia
(1864)
Orlando Pursuing
the Fata Morgana (1846-48)
Orpheus and
Eurdice (1869)
Paolo
and Francesca (1872-84)
She Shall
Be Called Woman (1892-93)
Sir Galahad (c.
1860s)
Wife of Pygmalion
(1868)
Photographs of Oscar Wilde
Wilde
& Family (9 photos)
Oscar
Wilde & His Circle, Clark Library (c. 70 photos)
William
Lindsay Windus
(1822-1907)
[Still Under Construction]
Burd Helen (1856)
Too Late (1858)