books

Rock over the Edge: Transformations of Popular Music Culture. Roger Beebe, Denise Fulbrook, and Ben Saunders, eds. (Durham: Duke University Press, 2002).

Music Television/Music Video/MTV. Roger Beebe and Jason Middleton, eds. (forthcoming, Duke University Press)

articles

"After Arnold: Narratives of the Posthuman Cinema" in Meta-Morphing: Visual Transformation and the Culture of Quick-Change. Vivian Sobchack, ed. (Minneapolis: University of Minnesota Press, 2000).

"Mourning becomes...?: Kurt Cobain, Tupac Shakur, and the 'waning of affect'" in Roger Beebe, Denise Fulbrook, and Ben Saunders, eds. Rock over the Edge: Transformations of Popular Music Culture. (Durham: Duke University Press, 2002).

Jason Middleton and Roger Beebe, "The Racial Politics of Hybridity and Neo-Eclecticism in Contemporary Popular Music," Popular Music 21:2 (May 2002), 211-224.

"For a Tautegorical Criticism," Body/Language 2 (Spring 2002).

"Sarah Abbott's 'The Light in our Lizard Bellies' and the Meaning of Meaning," Journal of Film and Video 52:1.

"Paradoxes of Pastiche: Spike Jonze, Hype Williams, and the Race of the Postmodern Auteur" in Music Video/Music Television/MTV (forthcoming, Duke University Press).

"Schwarzenegger, Arnold" in Alastair Phillips and Ginette Vincendeau, eds. Journeys of Desire: European Actors in Hollywood. (London: BFI, forthcoming).

translations

Pierre Bourdieu, "On the Fundamental Ambivalence of the State," trans. Roger Beebe (with Helen Thompson), Polygraph 10 (Spring 1998), 21-32.

reviews

"Tracking Tracking King Kong," Polygraph 11 (Spring 1999), 191-3.