Notes to Chapter 10
1. Cf. Kenner 1978:14: "For nothing is as
dependent
as
Objectivity on language and the rituals of language, Objectivity
which had promised to evade rhetoric and make the facts effect
their own declaration." Part of what is at issue here is the
fundamental datum of the positionality of language and hence of the
self also; cf. Lacan (trans. Sheridan) 1977:84-86.
2. Cf. Scholes and Kellogg 1966:55; Wetherbee
1972:243.
3. Cf. Leicester 1980:220; Mann 1973:197.
4. Cf. Carton 1979:47-61; Mann 1973:7; Mehl
1974:173-89.
5. For a discussion of this pun and its
usefulness for
interpreting Chaucer, see Shoaf 1977:81.
6. Davis 1979:65; for the meaning
"fiction,"
see FrP
D 1279.
7. On the Augustinian notion "commoda
privata,"
see
O'Donovan 1980:102-104. I should take this opportunity to
anticipate a probable objection to my use of the word true
/"true."
It should be obvious by now that part of my concern is to quarrel
with both positivism and phenomenology precisely in regard to their
positions on verification or truth. The former's position I reject
basically for the same reasons as Kenner puts forth in The
Counterfeiters, "The Gulliver Game":
"positive" verification,
as of the adequation of one word to one fact, ultimately
dehumanizes because in it "the thing that is not can have no
saying" (1968:139). The latter's position I reject because it
seems
to me still bound to the Cartesian cogito in the measure to
which it privileges perception and the ego--see Rorty 1979:8-12;
Heidegger (trans. Macquarrie and Robinson) 1962:122-35. Each of
these positions, in its own way and for its own reasons,
presupposes science as the standard for the measurement of truth
(verification). My own position presupposes, on the contrary, the
standard of sapience (wisdom), which measures truth for fidelity or
loyalty to Being (this position is not Coleridgean: I do not
privilege the Imagination; rather Memory is the mode of sapience as
the measure of truth's fidelity to Being). To the various sciences
of man invented (I agree with Foucault) in the eighteenth century,
I would oppose poetry, here inclusive of theology and philosophy,
as the sapience of man. I will expand on my position at length in
the Epilogue. Here let me note only that true or designing fiction
is bad fiction precisely because it is so clearly and immediately
verifiable--i.e., its attack on someone or something can be
verified. "True" or designed fiction, on the other hand,
is not
verifiable; it is rather contemplatable and dialecticalogical.
{266/267}
8. On the epithet "hende," see
Donaldson
1972:17-20.
9. The basic meaning of the word is
"requite"
or "pay" or
"reward"; see Davis 1979: 116; OED Q:71-72.
10. For ethics in the category of positive
justice, see
Hugh of St. Victor Didascalicon 3.2 (trans. Taylor 1961:84,
209 n. 15); Hugh's position is common. It will be helpful to
recall also ST 2a. 2ae. 58, 11, 3 (chap. 1 above), where Thomas
writes (emphasis added):
. . . that justice is first of all and more commonly
exercised in voluntary interchanges of things, such as buying and
selling, where the expressions `loss' and `gain' are properly
employed; and yet they are transferred to all other matters of
justice. The same applies to the rendering to each one of what
is his own.
Because justice is so obvious in commerce, commerce is obviously a
relevant sphere of discourse for a meditation on justice--such as
The Canterbury Tales. Consult, further, de Roover 1971:
18-19.
11. Here I owe a pervasive debt to Derrida:
the twin
notions of "la différance" and "la
différence" have
played a large role in my thinking on the structure of The
Canterbury Tales.
12. Theseus fails to control his household
most
obviously by failing to contain and define the power of love; for
all his pronouncements, love still sets his house in disorder.
Carpenter John obviously fails to control his household by having
married someone far too young for him and by having subsequently
provided her "likerous yë" someone to look upon.
Symkyn in
The Reeve's Tale fails to control his household not only by
being unable to discipline his daughter but also by founding his
prosperity upon theft. Finally, The Cook's Tale fragment:
here perhaps it is enough to say that the word
"household" hardly
even applies.
13. For these pairings I am indebted to
Patterson
1978:375-76.
14. The oikonomia of salvation, of
redemption,
judgment, etc., is a crucial concept in Christianity and especially
in the Pauline Epistles; see, e.g., Eph. 1.10, 3.9. Consult,
further, Saint John Chrysostom Homilies on the Epistle to the
Hebrews 3.2, (PG 63:29), 4.6 (PG 63:41), 5.2
(PG 63:47); trans. Keble 1975:376, 385, 389.
15. John Balbus Catholicon (1460;
reprint 1971),
s.v.; Isidore Etymologiae 2.24.4.
16. Chaucer's contemporaries Langland and
Gower shared
this desire; see, e.g., Piers Plowman B 19.182; Confessio
Amantis 2.2377.
17. The medieval "distinctio" is a
collection
of
definitions or "distinctions" of biblical words or
images; it
originated as a preacher's tool, to facilitate the composition of
sermons; we are only beginning to appreciate its importance for
later medieval poetry. Two recent studies provide valuable
introductions: {267/268} Brinkmann 1980:78-83; and Rouse and
Rouse 1979:7-11.
18. Howard, 1976:150-52, has suggested that
The Genera
l
Prologue to The Canterbury Tales might profitably be
understood as an artificial memory system--see the remarkable study
of such systems by Yates 1966:63-134. He notes that the likeliest
structure would be: Knight: Squire, Yeoman, Prioress, Monk, Friar,
Merchant; Clerk: Man of Law, Franklin, Guildsmen, Shipman,
Physician, Wife; Parson and Plowman: Miller, Manciple, Reeve,
Summoner, Pardoner, Host. In this system Knight, Clerk, Parson, and
Plowman are obviously ideal types. Allen and Moritz 1981:89-91 have
extended this suggestion by realizing that the ideal types are
those that are, those that know, and those that do. These types, in
turn, they note, are convenient to the obvious
"distinctio" of Man
as soul, mind, and body. In light of this "distinctio,"
it is
possible to say that the content of The Canterbury Tales is
Man: the pilgrims "add up" to Man--"These people are
a normative
array, sufficient for the definition of the category `man'"
(p. 90).