ENG 6077
Forms: Notebooks
In this course, we will undertake an examination of three of the most influential statements in contemporary cultural and political theory: Karl Marx¹s Grundrisse, Walter Benjamin¹s Arcades Project, and Rem Koolhaas and Bruce Mau¹s S, M, L, XL. What unifies these otherwise quite disparate texts‹composed, respectively, by the most important political and economic thinker of the nineteenth century, an early twentieth century literary and cultural critic who toiled in relative obscurity throughout his own lifetime, and one of the most celebrated architects of the last decade‹is the fact that all are ³notebooks.² They come to us in the form of drafts, fragments, and the raw materials‹not published in the first two cases until many years after the authors¹ deaths‹of a project that finally appears in a very different form (Marx¹s three volumes of Capital), or remains unfinished as a result of the author¹s premature death (Benjamin¹s work). Only Koolhaas and Mau¹s massive ³accumulation of words and images² organized simply ³according to size² represents the final form of the text ³intended² by the authors. Along with these three primary texts, we will refer to a select group of commentaries or related works, such as Antonio Negri¹s Marx Beyond Marx, Susan Buck-Morss¹s The Dialectics of Seeing, and Koolhaas¹s Delirious New York. In addition to raising the question of the notebook as a generic form‹one whose fragmentary, unfinished nature and sheer massive extent throw into disarray conventional reading strategies and notions of authorial intent (a large part of the attraction, as Koolhaas and Mau write, is that these books ³can be read in any way²), and which thereby becomes especially attractive to our postmodern sensibilities‹these works also open up onto issues of special interest in our moment, including modernization, urbanism, globalization, the nature of the image, and cultural revolution.
Approximately one-third of the semester will be devoted to each text, and as this course is meant to be an experiment in reading, the form of our approach will be determined by the energy, interest, and motivation of the seminar¹s participants. However, everyone will be expected to take part in our discussions, lead at least two class meetings as part of a ³discussion group,² and produce a formal seminar paper.