Brazilian Popular Music and Globalization
Contents (each segment has a synopsis, web images,* and links)Chiclete com Banana: Internationalization in Brazilian Popular Music
Charles A. Perrone and Christopher Dunn
CARMEN MIRANDADADA
Caetano Veloso
Myth, Melopeia,
and Mimesis: Black Orpheus, Orfeu, and Internationalization in Brazilian
Popular Music
Charles A. Perrone
Tropicália,
Counterculture, and the Diasporic Imagination in Brazil
Christopher Dunn
Globalizing Caetano
Veloso
Liv Sovik
Cannibals, Mutants,
and Hipsters: The Tropicalist Revival
John Harvey
Defeated Rallies,
Mournful Anthems, and the Origins of Brazilian Heavy Metal
Idelber Avelar
The Localization
of Global Funk in Bahia and in Rio
Lívio Sansone
World of Fantasy
Fantasy of the World: Geographic Space and Representation of Identity in
the Carnival of Salvador, Bahia
Milton Araújo Moura
Songs of Olodum:
Ethnicity, Activism, and Art in a Globalized Carnival Community
Piers Armstrong
Fogo na Babilônia
: Reggae, Black Counterculture and Globalization in Brazil
Osmundo de Araújo Pinho
Reggae in Bahia:
A Case of Long-distance Belonging
Antônio J.V. dos Santos Godi
Black or Brau: Music
and Subjectivity in a Global Context
Ari Lima
Turned-Around Beat:
Maracatu de baque virado and Chico Science
Larry Crook
Self-Discovery
in Brazilian Popular Music: Mestre Ambrósio
John Murphy
"Good Blood in the
Veins of this Brazilian Rio" or a Cannibalist Transnationalism
Frederick Moehn
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