ENL3251 Victorian Literature CRADDOCK

    Fall 1997 Section 1839 T2/3, R3

    Office: TUR 4332

    email: craddoc@nervm.nerdc.ufl.edu

    phone: 392-0757x259

    web page (copies of syllabus and useful web links): http://www.clas.ufl.edu/users/pcraddoc

    Office Hours: R4, W3-5, AND BY APPOINTMENT

    Required books: Altick, Victorian People and Ideas; Abrams et al., eds.,Norton Anthology of English Literature,Vol. II, sixth edition. You will also need a package of 3x5 index cards. Books are available at Goerings bookstore, University and 13th.

    The goal of this course is to look at some of the exciting work written during the long reign of Queen Victoria (1837-1901) in two ways: in as close an approximation as we can achieve of the way in which its original readers would have understood and appreciated the work, and in terms of our own age: what this literature tells us that may be of permanent human value, or that may enable us to see something about ourselves that a modern perspective obscures. Omitting the novel, which is the focus of another course, we will concentrate on poetry and nonfictional prose, with some attention to drama. The dates on which assignments are listed below are the dates on which they are to be completed.

      Your grade will be based on the following factors, each of which is explained in detail after the list of reading assignments and due dates for papers.

      • Two critical papers: 30% each
      • One historical paper: 20%
      • Point Projects: 10%
      • Class performance: 10%

    There will be no exams, but there may be quizzes, which will be averaged in with "point projects."

    ASSIGNMENT LIST

    August

    T26 Introduction--the Victorian age. Also, how to analyze poems, essays, plays. Those who miss this class meeting owing to late registration should see me for extra help if they are inexperienced in dealing with any of these literary forms.

    R28 Read Altick, pp. 1-33; Norton 891-908. To discuss: similarities and differences between these two introductions to the "same" age. What is a historical and/or literary "age"?

    September

    T2 Carlyle, Introduction (910-915), Portraits of contemporaries and Characteristics (915-32); Newman, Introduction and excerpts from The Idea of a University (974-982)

    R4 Altick, pp. 33-72

    T9 Carlyle, The French Revolution and Past and Present, 958-974 ; Mill, 992-1029

    R11 Victorian Issues: The Woman Question 1595-1609

    T16 Elizabeth Barrett Browning, 1029-1052; Tennyson, The Princess excerpt on pp 1083-84

    R18 Altick 73-113

    T23 Tennyson, Introduction; stories and songs 1052-83, 1133-40; "Poems in Progress " 2457-2459

    R25 Altick 114-64

    T30 Tennyson, In Memoriam 1084-1132 and "The Passing of Arthur," 1154-65; "Crossing the Bar" 1169-70

    October

    R2 Victorian Issues: Evolution 1571-1580; First Paper due

    T7 Arnold, Culture and Anarchy 1404-10, "Literature and Science,"1429-41; T. H. Huxley 1442-53

    R9 Altick 165-200

    T14 Robert Browning, 1182-1200, 1202-1211

    R16 Altick 201-37

    T21 R. Browning, 1211-19, 1222-33, 1234-41, 1243-53

    R23 Altick 238-68

    T28 Emily Bronte, 1266-73; Christina Rossetti, 1472-1493

    R30 Altick 269-98 Second Paper due

    November

    T4 Arnold 1344-67 1379-1404

    R6 Altick 299-309

    T11 HOLIDAY

    R13 Victorian Question: Industrialism 1580-94

    T18 Meredith 1453-60, DG Rossetti 1460-72

    R20 Criticism as art: Ruskin, 1273-98; Pater, 1526-34; Wilde, 1616-18; 1620-28

    T25 Morris, 1494-1503, 1507-9; Swinburne, 1509-12; 1514-19

    R27 HOLIDAY

    December

    T2 The Importance of Being Earnest, 1628-67; Last Paper Due

    R4 Hopkins, 1543-53 and Thompson, 1667-72; Last day to turn in projects

    T9 Shaw, 1711-54, Mrs. Warren's Profession

    R11 Last day to turn in rewrites--NOT A CLASS DAY

    CRITICAL PAPER TOPICS (you may do the critical papers and the historical paper in any order).

    • Topic A: Victorian poets had very strong views about the relationship between form and meaning. Choosing two different poems, by the same or different poets (sections of In Memoriam count as separate poems), analyze the ways in which specific formal qualities of the poems enhance and support the meaning and emotional effects they are designed to convey.
    • Topic B: Discuss the merits and defects of some work or works we have read this semester (other than the one you use for topic A), in two ways: the way it would have appeared to you, had you been living at the time the work was published; and the way it appears to you now. Account for the similarities and differences between these two responses.

    HISTORICAL PAPER TOPICS (CHOOSE A OR B--NOT BOTH!)

    • A. Investigate some aspect of Victorian life such as popular amusements, the Irish Famine, marriage laws, foreign missionaries--anything that interests you. Write a research report about your results for an audience of students like yourself. N.B. select and cite your sources carefully; try to include some primary resources, such as articles from Victorian newspapers and journals, letters and diaries of Victorian people, published reports of Parliamentary debates and investigations, etc.
  • OR
    • B. Write a descriptive and evaluative review of a twentieth-century work that attempts to reconstruct Victorian life, such as the novels of A.S. Byett, one of several series of detective novels, films such as Angels and Insects. Consider what a writer or film-maker may accomplish by setting his/her work in a past era, and why the Victorian period might have been chosen.
    • POINT PROJECTS You may earn 1-5 points, roughly proportional to the amount of work required, for short projects, as explained below. Everyone should try to earn at least 10 points; up to 10 points beyond that may be counted as extra credit. For each two project points, your final grade will rise one point; thus, earning 20 project points will raise your grade one full letter, EXCEPT as follows: a grade can not be raised from F to D by extra credit alone; a grade cannot be raised from B to A by extra credit alone (but it could be raised from B+ to A). Point projects may be handed in at any time and 3-5 point projects should be presented orally as well as in writing.

      • Typical one-point projects: identify a useful book, article, or website and supply that information to the class on a 3x5 card; sufficient information must be supplied so that the other student can find the material.
      • Typical two-three points projects: write a short summary of a relevant article or encyclopedia entry. Your account must be in your own words and must not be more than 100 words long. Another project is to choose a year from within the period we are studying and list the five most important events of that year that are not already mentioned in Altick's timeline.
      • Typical three-five point projects: write a 1-2 page report on some aspect of daily life in the Victorian period--clothes, food, art, politics, factories, etc.--or a 1-page summary comment about a scholarly book dealing with the period or authors we are studying, or a 1-2 page review of a Victorian work we have not read, or of which we have only read part. Or a group might prepare and perform a selection from one of the two playwrights we will read at the end of the semester.
      • If you have other ideas, let me know. I may very well approve of them. Note that overlap between projects and your formal papers is perfectly appropriate.

      CLASS PERFORMANCE (ATTENDANCE CARDS). Class preparation and attendance count 10% of your grade in the course. Everyone starts with a high C--75--in class performance. At every class meeting you will turn in a 3x5 index card. On this card, in addition to your name and the date, you will state how far you have gotten with the assigned reading. There is no penalty for being behind in the reading, except that if you don't catch up, it will be harder to earn points for good preparation. You will add a comment or question on what you have just been reading. Comments or questions on current work will receive 1 or 2 points, depending on quality; comments or questions on late work will receive .5 or 1 point, again depending on quality. Three points will be subtracted for each unexcused absence beond two; one point will be subtracted for major unexcused lateness or early departure from class, because such behavior is rude and disruptive. Note that Tuesday classes are double classes, so absence on Tuesday subtracts six points from your attendance grade. Thus it will be easy, IF you do your assignments and keep up with the reading, to make up for an absence or so, or to raise your grade in this aspect of the course to an A or A+. To receive any credit, a comment or question must indicate that you are really reading the material.

    HOT LINKS

    • Links found by ENL3122, Fall 96, students
    • Victorian Web (submitted by Leitner)
      • In Memoriam
      • "The Lady of Shalott" (Leitner) (Web version of exhibition, by Elizabeth Nelson)
    • Elizabeth Barrett Browning Overview (submitted by Hinds)
    • "The Governess and Class Prejudice" by Erin Wells (Brown undergraduate student) (Hinds)
    • "Female Survivors in Victorian Literature [Little Dorrit]" by Emily C. Constable (Brown '97) (Hinds)
    • Overview of Female Victorian Writers (Hinds)
    • Victorian Fashions (Hinds)
    • Victorian Corsets, etc. (Wagner)
    • "Victorian Elegance" (Wagner)
    • Victorian Links, England and Elsewhere (Wagner)
    • Student Projects in Victorian Literature, West Chester U (Wagner)
    • Victorian Wars (Hinds)
    • A Victorian Course at the University of Melbourne, Australia (Sciotto)
    • History Site in England (Sciotto)
    • Poetry Criticism Tipsheet (Sciotto)
    • English Literature Reference Sources (Sciotto)
    • Victorian English Literature library guide (Sciotto)
    • Victorian Britain library guide (Sciotto)
    • Literary Criticism source guide (Sciotto)
    • The Great Exhibition of 1851 (Crystal Palace) (Ojeda)
    • Timeline of the Nineteenth Century (James)
    • Another British Novel course homepage (James)
    • "Dead Sociologists" homepage (James)
    • "Dead Sociologists" index (James)
    • Famous Unitarian-Universalists (list with links) (James)
    • Women Unitarian-Universalists (list with links, annotations) (James)
    • Turner's Painting, The Slave Ship
    • Art in the Victorian Era, by Ruth Hinds, ENL 3122