Art Bibliography
          For Dr. Howard Lauthan
          February 25th 2003
          From Michael E. Morse
 

               The main emphasis in this bibliography are works that center in the Early Modern Period in Italy,
         Spain and the Spanish Viceroyalty of New Spain and The Viceroyalty of Peru.  Works cover various topics
         from style to cultural history and some important biographical works of main personalities of the field of
         representational arts.
 

          Aco1ea B1anch, Santiago. The Prado. New York: Harry N. Abrams, 1991.

          Ainaud de Lasarte, Joan. Catalan Painting from Gothic Splendor to the Baroque. New York: Rizzoli, 1991.

 
          Banco de Credito del Peru. Pintura en el Virreinato del Peru. Lima: Banco de Credito del Peru, 1989.

          Barnes, Bernadine Ann.  Michelangelo’s Last Judgment:  The Renaissance Response.  Berkeley, Calif.:
                   University of California Press, 1998.

          Bayon, Damian and Murillo Marx. History of South American Colonial Art and Architecture. Barcelona:
                   Ediciones Poligrafa, S.A., 1989.
 
          Bean, Jacob and Felice Stampfle. Drawings from New York Collections.  The Italian Renaissance. New
                   York:  The Metropolitan Museum of Art, 1965.

          Benzi, Fabio and Caroline Vincenti Montanaro. Palaces of Rome. New York: Rizzoli, 1997.

          Bialostocki, Jan. La Dispersion Del Manierismo. Mexico City: Universidad Nacional Autonoma De
                   Mexico, 1980.

          Boase, T. S. R. Giorgio Vasari. The Man and the Book. Washington D. C.: National Gallery of Art, 1979.

          Bousquet, Jacques. Mannerism: The Painting and Style of the Late Renaissance. New York: George
                   Braziller, Inc., 1964.

          Braham, Allen. El Greco to Goya. London: The National Gallery, 1981.

          Burckhardt, Jacob.  Revised and edited by Peter Murray.  The Architecture of the Italian Renaissance.
                    Chicago:  University of Chicago Press, 1985.

          Burn, Barbara. The Life of Christ. Images from the Metropolitan Museum of Art. New York: The
                   Metropolitan Museum of Art, 1989.
 
 
 
 
 
 
 
 
 

          Castedo, Leopoldo. A History of Latin American Art and Architecture From Pre- Columbian Times to the
                    Present. New York and Washington: Frederick A. Praeger, 1969.

          _______ Precolombino, el arte colonial.  Vol. 1.  Historia del arte iberoamericano. 2 vols.  Madrid:
                   Socieda Quinto Centenario. Alianza Editorial, 1988.

          _______  The Cuzco Circle. New York: Center for Inter-American Relations and The American Federation
                   of Arts,  1976.

         Chichizola Debernardi, Jose. El manierismo En Lima. Lima: Pontificia Universidad Cat6lica del Peru, 1983.

         Clements, Robert John.  Michelangelo’s Theory of Art.  New York:  Gramercy Pub. Co., 1961.

         Costantino, Maria. Leonardo. New York: Smithmark Publishers, Inc., 1994.

         Damian, Carol. The Virgin and the Andes: Art and Ritual in Colonial Cuzco. Miami Beach: Grassfield Press,
                   1995.

         Daniels, Jeffrey. Michelangelo. Secaucus: Chartwell Books, 1990.
 
         De Tolnay, Charles.  Michelangelo:  Sculptor, Painter, Architect.  Princeton, N. J.:  Princeton University
                   Press, 1975.

         Diaz, Marco. La arquitectura de los jesuitas en Nueva Espania. Mexico City: Universidad Nacional
                   Autonoma de Mexico, 1982.

         Franklin, David. Rosso in Italy .New Haven and London: Yale University Press, 1994.
 
         Friedlaender, Walter. Mannerism and Anti-Mannerism in Italian Painting. New York: Columbia
                   University Press, 1957.

         Gere, J. A.  Taddeo Zuccaro, His Development Studied in His Drawings.  Chicago:  University
                   of Chicago Press, 1969.
 
         Giudici, Vittorio. The Sistine Chapel. Its History and Masterpieces. Vatican City: Ufficio Vendita
                   Publicazionie Riproduzioni dei Musei Vaticani, 1998.

         Goldscheider, Ludwig.  Michelangelo:  Paintings, Sculpture, Architecture.  London:  Phaidon, 1996.

         Gorostiza, Paloma. Baroque Mystique: Women of Mexico in Seventeenth and Eighteenth Centuries.
                   Monterrey. Museo de Historia Mexicana en Monterrey and San Antonio: Instituto Cultural
                   Mexicano,1994.

         Gould, Cecil. Parmigianino. New York, London and Paris: Abbeville Press, 1994.
 
 
 
 
 
 
 

         Hart, Ivor Blashka, The World of Leonardo da Vinci, Man of Science, Engineer and Dreamer of Flight.
                   London:  Macdonald, 1961.

         Hartt, Frederick. History of Italian Renaissance Art: Painting-Sculpture-Architecture, 2nd ed. New York:
                   Harry N. Abrams, 1979.

         _______ History of Italian Renaissance Art: Painting-Sculpture-Architecture, 4th ed., revised by David G.
                   Wilkins. New York: Harry N. Abrams, 1994.

         Hauser, Arnold. Mannerism. The Crisis of the Renaissance and the Origin of Modem Art. New York:
                   Alfred A. Knopf, 1965.

         Heras, Julian. El Convento de Los Descalzos de Lima. Lima: Convento de los Descalzos, 1995.
 
         Howard, Deborah.  Jacopo Sansovino:  Architecture and Patronage in Renaissance Venice.  New Haven:
                   Yale University Press, 1975.

         Kagane, Ludmila L. The Hermitage Catalogue of Western European Painting : Spanish Painting Fifteenth
                    to Nineteenth Centuries. Moscow: Iskusstvo Publishers and Florence: Giunti Publishing Group,
                   1997.

         Keleman, Pal. Baroque and Rococo in Latin America. New York: Dover Publications, Inc., 1943.

         _______  Peruvian Colonial Painting. Brooklyn, N. Y.: The Brooklyn Museum, 1971.

         Kent F. W. and Patricia Simons, editors.  Patronage, Art, and Society in Renaissance Italy.  New York:
                   Oxford University Press, 1987.

         Kovachevski, Christo. The Madonna in Western Painting. London: Cromwell Editions, Ltd., 1991.

         Kubler, George, and Martin Soria. Art and Architecture in Spain and Portugal and their American
                  Dominions: 1500 to 1800. Baltimore: Penguin Books, 1959.

         Levey, Michael. From Giotto to Cezanne. A Concise History of Painting. New York: Thames and Hudson,
                   Inc., 1984.

         Lewine, Carol F   The Sistine Chapel Walls and the Roman Liturgy. University Park: The Pennsylvania
                   State University Press, 1993.

         Lopez-Baralt, Mercedes, curator. Guaman Poma De Ayala: The Colonial Art of an Andean Author. New
                   York: American Society / Art Gallery, 1992.

         Lytle, Guy Fritch and Stephen Orgel.  Patronage in the Renaissance.  Princeton, N. J.:  Princeton
                   University Press, 1981.
 
 
 
 
 
 
 

         Manrique, Jorge Alberto, director. La dispersion del manierismo. Mexico: Universidad Nacional
                   Autonoma de Mexico, 1980.

         McCorquodale, Charles. Bronzino. New York: Harper & Row, 1981.

         McDonald, Jesse. Michelangelo. New York: Smithmark Publishers, Inc., 1994.

         Mesa, Jose de and Teresa Gisbert. Bemardo Bitti. La Paz: Biblioteca de Arte y Cultura Boliviana, 1961.

         Molfino, Alessandra. L 'Oratorio Del Gonfalone. Rome: Banco de Santo Spirito, 1976.

         Murray, Linda. The High Renaissance and Mannerism. New York: Thames and Hudson, 1985.

         _______ Michelangelo. New York and Toronto: Oxford University Press, 1980.

         Nagel, Alexander.  Michelangelo and the Reform of Art.  New York:  Cambridge University Press, 2000.

         Nahmad, Ezra and Lino Centi. Raphael in the Vatican. Firenze: Scala, 1983.

         Neuhaus Ugarteche, Carlos. Tres mil anios de arte en el Peru. Lima: Peruano-Suiza, 1965.

         Newson, Linda A. Life and Death in Early Colonial Ecuador. Norman and London: University of Oklahoma
                   Press, 1995.

         Nigro, Salvatore S., editor.  Pontormo Paintings and Frescoes. New York: Harry N. Abrams, Inc., 1994.

         O'Neill, John P., editor.  The Metropolitan Museum of Art: The Renaissance in Italy and Spain. New York:
                   The Metropolitan Museum of Art, 1987.

         Palmer, Gabrielle G. Sculpture in the Kingdom of Quito. Albuquerque: University of New Mexico Press,
                    1987.
         _________and Donna Pierce. Cambios:  The Spirit of Transformation in Spanish Colonial Art.
                   Albuquerque:  Santa Barbara Museum of Art, 1992.

         Papafava, Francesco. Vatican. Vatican City: Ufficio Vendita Publicazioni, 1993.

         Pedretti, Carlo. Leonardo. Berkeley and Los Angeles: University of California Press, 1973.

         _______ Raphael. Florence: Giunti Barbera Spa, 1989.

         Persichilli, Angelo, director. Coro Polifonico Romano "G. Tosato." Rome: Agip Petroli, 1991.

         Peisa Ediciones. Museo de Arte de Lima- 100 obras maestras / Art Museum of Lima- 100 Masterpieces.
                   Lima: Asociaci6n Museo de Arte de Lima Banco Latino, 1992.
 
 
 
 
 
 
 

         Picari, Oreste, editor.  Monumentos. Museos. Galerias Pinacoteca Vaticana. Milan: EN EL Societa per
                   Azioni, 1992.

         Ricci, Franco Maria. Casa Farnese: Caprarola,  Roma, Piacenza, Parma. Milan: via Montecuccoli 32, 1994.

         Rodrigues, Belgica, director. Temples of Gold, Crowns of Silver.  Washington, D. C.:  Art Museum of the
                   Americas, 1991.

         Rosenberg, Charles M.  editor.  Art and Politics in Late Medieval and Early Renaissance Italy:  1250-1500.
                   Notre Dame, Ind.:  University of Notre Dame Press, 1990.

         Rossi, Francesco. Michelangelo and Raphael in the Vatican.  Vatican City: Vatican Polyglot Press, 1991.

         Sanchez Canton, F. J., director. The Prado. New York: Harry N. Abrams, 1996.

         Sheard, Wendy Stedman and John T. Paoletti.  editors.  Collaboration in Italian Renaissance Art.
                   New Haven:  Yale University Press, 1978.

         Shearman, John. Mannerism. Middlesex, Baltimore and Victoria: Penguin Books Inc., 1967.

         Simoni, Armando De. S. Eligio Degli Orefici: Fascino E Memorie.  Rome: Fratelli Palombi Editori, 1984.

         Soria, Martin Sebastian. La Pintura del siglo XVI en Sudamerica. Buenos Aires, 1956.

         Stastny, Francesco. Breve historia del arte en el Peru. Lima: Francesco Stastny, 1967.

         Stierlin, Henri. Architecture of the World: Iberian-American Baroque. Lausanne: Editions Office de Livre,
                   1984.
 
         Vargas, Ugarte Ruben. Los Jesuitas del Peru y el arte. Lima: np, 1963,

         Vasari, Giorgio.  The Great Masters.  Hong Kong:  Hugh Lauter Levin Associates, Inc., 1986.

         _______ Lives of the Most Eminent Painters, Vol. 2. New York: The Heritage Press, 1967.

         Wackernagle, Martin.  The World of the Florentine Renaissance Artist:  Projects and Patrons, Workshop and Art
                    Market.  Translated by Alison Luchs.  Princeton, N. J.:  Princeton University Press, 1981.

         Wittkower, Rudolf. Art and Architecture in Italy 1600 to 1750. London: Penguin Books, 1958
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         _______and Irma B. Jaffe. Baroque Art The Jesuit Contribution. New York:   Fordharn University Press, 1972.

         Wohl, Hellmut. Leonardo Da Vinci. New York, London, Toronto and Sydney: McGraw-Hill Book Company,
                   1967.

         Wurtenberger, Franzseep. Mannerism.  New York, Chicago and San Francisco: Holt, Rinehart and Winston,
                   1963.

         Zuffi, Stefano.  Michelangelo, La Capella Sistina.  English, Translated by Christopher H. Evens.  New York:
                   Rizzoli, 1999.