In this course we will study the (sociological) position and (ideological)
positioning of women in sixteenth and seventeenth-century Seville. Mary
Elizabeth Perry's Gender and Disorder in Early Modern Seville serves
as a point of departure for investigating the polarized Magdalena/Santa
views of women, which the class will explore on site in Seville's painting
and Church iconography. Perry also identifies the economic reality of
women's independence in a city whose male population was severely depopulated
by the demands of war and New World conquest.