This two-credit course is taught in conjunction with ITT 2100 but is
open to all UF students. Students will travel during Thanksgiving week
(Saturday Nov. 20-Sunday Nov. 28) to Florence and Rome. Among the sites
to be visited are: Uffizi Gallery, the Accademia (original David),
Bargello (Donatello's S. George), Opera del Duomo (Michelangelo's
Pieta', "Gates of Paradise", Della Robbia); Medici Chapel (Michelangelo's
Lorenzo and Giuliano--to whom Machiavelli dedicated The Prince);
churches: the Baptistry, Santa Maria Novella (meeting place of the
storytellers from the Decameron), the Duomo, Santa Croce (Giotto's
frescos, Michelangelo and Machiavelli's tomb), San Lorenzo, Pisa's Baptistry
and the Museo delle Sinopie (Buffalmacco is a painter in the Decameron),
and the Tower of Count Ugolino (Inferno XXXIII); and in Rome Saint
Peter's Basilica, Michelangelo's Moses, Pantheon, and the Borghese
Gallery (Bernini's sculptures). For information contact Dr. Michael Paden
<mpaden@rll.ufl.edu> 355 Dauer, 392-2016 ext. 241. Act
fast, there are a few spots left.
ARH 4251: Romanesque and Gothic Art
Dr. David Stanley
ARH 4304: Italian Renaissance Architecture
Dr. David Stanley
ENG 3230: Age of Dryden and Pope
Dr. Mel New
The course will cover the period of English literature from 1660-1744,
along with Laurence Sterne's Tristram Shandy (1759-67), and will
concentrate on the poems and satires of Dryden, Pope, and Swift, and the
philosophy of John Locke, among others. The main subject we will be examining
is how these authors all managed to anticipate (indeed predict) the madness
of much in modern intellectual life, beginning with unintelligible writing
by critics of literature (whom Pope labeled "Dunces" in his famous Dunciad);
to the incoherences of religious and political fanaticism (which Swift
labeled the "perpetual possession of being well-deceived; of being a fool
among knaves); and concluding with the vices and follies of a society
that was losing its sense of art amidst a flood of bad writing, and something
called "popular culture (what Dryden would label "the realms of Nonsense,
absolute." (He also wrote that "Loads of Sh** almost chok'd the way" but
we will try not to be vulgar in this course). There will be written work
and students will be expected to read the assignments.
ENG 4133 : History in the Dark (Ages): Getting Medieval on Film
Dr. Richard Burt
This course will use Monty Python's Holy Grail (and related films
by co-directors Terry Jones and Terry Gilliam) and The Name of the
Rose (along with writings about the Middle Ages by Umberto Eco) as
competing ways of examining films about the Middle Ages in relation to
three key terms: authenticity, anachronism, and allegory. Monty Python's
Holy Grail and The Name of the Rose will serve as two (unstavble)
poles for discussion, the former tending toward nonsense, childishness,
paratextual effects, and allegorical emptiness and the latter tending
toward the detection of significance, clues, maturity, palimpsestic depths,
and allegorical plenitude. Setting these poles in dialectical, even self-deconstructing
opposition, we will consider what authenticity means in film, why it is
valued, whether it is desireable or even possible. Along similar lines
we will consider the multiple facets of historical anachronism (comedy,
paraody, paratextual effect, palimpsestic traces, criticism) and various
dreams or allegories of the Middle ages (most often as the age of superstition,
sorcery, dirt, and barbarism, or as the age of chivalry, romance, magic,
and courtesy).
EUH 2001/REL2930: Western Civilization, from the Middle Ages to the
18th century
Dr. Nina Caputo
A survey of some of the central themes in the history of medieval history
in central Europe, including feudal, manorial, urban and religious institutions
in medieval society.
EUH 3383: Pagans, Christians, Barbarians: The World of Late Antiquity
Dr. Andrea Strek
Between classical and medieval, pagan and Christian, Roman and "barbarian,"
the late antique world was a civilization in transition. This course will
focus on the Mediterranean region from the end of the second to the beginning
of the seventh century. We will examine political, cultural, religious
and socio-economic transitions that characterized this period looking
at elements of continuity as well as change. We will consider the significance
of such factors as the conversion of Constantine, the rise of Constantinople,
Christian responses to culture, the monastic movement, the persistence
of paganism, the fall of Rome, barbarian invasions, Christianization,
and developments inphilosophy, theology and education.
EUH 3500: Medieval England
Dr. John Sommerville
The creation of a national society and culture in the time of England's
constitutional development (to the sixteenth century).
(Follow the instructions to log in to the WebCT Curriculum in German
Studies, then look for the course near the bottom of the page under "Courses
in Translation")
HIS 3931: Honors Seminar, The Jews of Sepharad
Dr. Nina Caputo
ITT 2100 #8204: Masterpieces of Italian Literature 1: Medieval and Renaissance
Dr. Michael Paden
"Hell, Love, and Politics": Readings in English translation include Dante's
Inferno, Boccaccio's Decameron, and excerpts from Machiavelli's
Prince and Discourses.
Special Opportunity: add ITT 4956, a one-credit capstone
course taught as a field trip to Florence and Rome (7 days during Thanksgiving
Break; est. cost for transportation, lodging, some meals, and museums:
$1300)
The course will read the poetry of John Donne, John Milton, and John
Dryden. The primary focus will be on the tools one must acquire in order
to read poetry well, and there will be some emphasis given to understanding
the formal structures of poetry--all those things you should have been
taught in high school or in Freshman English but somehow never got to.
Paradise Lost is one of the poems that will be read. There will
be written work and students will be expected to read the assignments.
LIT 6855: Issues in Cultural Studies: Medieval and Early Modern sorplus