DAMALS WAR ES FRIEDRICH
ZWEI JAHRZEHNTE DURCH DIE AUGEN MEINES OPAS

A PROJECT OF THE
DEUTSCHE SOMMERSCHULE IM SÜDOSTEN
UNIVERSITY OF FLORIDA
JUNE-AUGUST 1999
CO-SPONSORED BY

AND

PROFESSOR AND PROJECT DIRECTOR:
Dr. Aleidine (Ali) Moeller, University of Nebraska-Lincoln
STUDENTS AND PROJECT CO-AUTHORS:
Caroline H. Andrews, Spartanburg, South Carolina
Rustin Buck, Sugar Land, Texas
Elsbeth Hofmann-Griffin, Pensacola, Florida
Cindy L. Gray, Chicago, Illinois
Keri Jaworski, Omaha, Nebraska
Sheryl Mathiassen, Superior, Wisconsin
Karen Morgan, Windermere, Florida
Melissa M. Myers, Auburn Hills, Michigan
Ruth A. Perkins, Kissimmee, Florida
Kathryn K. Pritchard, Pasadena, Maryland
Sally Roda, Asheville, North Carolina


Project Description

A major focus of our graduate-level summer foreign-language methods course with Ali Moeller has been the study and "Didaktisierung" of the youth novel Damals war es Friedrich by Hans Peter Richter (dtv junior ISBN 3-423-07800-6).  In this novel, Richter explores the critical events of the period 1925-1942 through the lens of two German families, one Jewish and one non-Jewish, that live in the same house and have a single son each.  The boys become best friends.  The narrative, told from the point of view of the unnamed non-Jewish son, unfolds the general developments in pre-Nazi and Nazi Germany and the very specific events that lead to the tragic death of the Jewish son, Friedrich. 

Our primary assignment during the course has been to assemble a collection of ideas for working with this novel in the German classroom.  In order to give our project a framework, we have invented an imaginary grandson of the novel's narrator.  This grandson interviews his grandfather as part of a school project and becomes so engrossed in his grandfather's stories that he decides to create a web page about them.  Each of the 11 students in our class has taken responsibility for two or three thematically-related chapters of the novel and prepared a section of the "grandson's" project.  The various sections contain pictures and other realia that relate to the novel (some historical and some invented by us), links to useful sites elsewhere on the web, and, most importantly, samples of creative-writing activities that teachers could assign to their students as they work with this novel in the German classroom. 

We envision that this project could be used by other teachers in the following ways: 

  •    as a source for finding individual pictures, realia, and web-sites for use with the novel;
  •    as a site that students can explore on their own to enrich their experience of the novel;
  •    as a model of a project that students could do themselves.
We would like to extend our appreciation to the following persons whose help has been instrumental in the realization of this project:  Dr. Judy Shoaf, Rebecca Ward, Dr. Will Hasty, Annemarie Sykes.
 
Index Grandson's page