Scholar Profiles
Kelly Walrath
2003 - 2004 University Scholar
Mentor: Robert Mueller
College of Fine Arts
"The USP allows me the experience of being a fine art collaborative printer, strengthening and refining my technical skills in the medium of printmaking. I hope to take advantage of the knowledge and expertise my mentor has to offer, broadening my understanding of printmaking and its role in the art world."
Kelly is a senior majoring in art, with a minor in art history and a specialization in printmaking. She is vice president of the Alagarto Printmaking Guild and treasurer of the Fine Arts College Council. In her spare time, she enjoys sewing, collage and studying American art history.
Research Description:
Collaborative Printmaking
Through the support of the University Scholars
Program, I propose to work in collaboration with artist and
faculty mentor Robert Mueller to create editions of relief prints
based on his Icelandic wilderness experiences. Entitled “Floaters,”
the series consists of linoleum relief plates that have yet
to be proofed and editioned. This project will allow me to experience
the traditional tasks of a “master” printer, working
closely with the artist to prepare, proof, print, and curate
a suite of limited edition prints. This will include preparing
paper, mixing inks, proofing the print, and obtaining approval
from the artist to create the editions. The editions will potentially
be bound to create artist’s books, allowing me to learn
the process of bookmaking while strengthening and refining my
knowledge in relief printing. The end result will be a suite
of prints and artist’s books of museum quality.
Not only will the scale and quantity of the editions be time
and labor intensive, but the constant problem solving involved
with production will require the efforts of both artist and
printer. Professor Mueller and I will be working together to
find creative solutions to technical challenges as well as artistic
dilemmas, using procedures similar to professional collaborative
printing studios throughout the country. I will be able to bring
more professional techniques to my studio practice in the printmaking
department while learning about my mentor’s creative processes
and cultural experiences. Hopefully our work will reveal innovative
methods for future relief printing as well as aid in my career
pursuit as a fine art collaborative printer.
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