If we think of the ego and alter nodes at the lower left as types, then the ego and alter nodes which are linked to the address programs are tokens of those types. First and second person pronouns are given their sense in patterns involving these tokens of ego and alter.
(Note that, in Figure 12 I have emphasized the first person nodes and links to make it easier to read the diagram. That emphasis has no formal significance. Similarly, I have made the articulatory NFA darker than the other NFAs to highlight the fact that it is linked to one instance of the address program, but not the other. That emphasis has no formal significance.)
The addressor node in the linguistic interaction NFA--which is, of course, part of the general social interaction system--is defined by the agent role in the address program regardless of whether ego or alter is the agent. Similarly, the addressee node is defined by the patient role. The addressor and addressee nodes are then realized in the lexicon by first person and second person respectively. The first person lexeme is realized by the auditory and articulatory schemas for /I/ while the second person lexeme is realized by the auditory and articulatory schemas for /you/. Those schemas are linked to the appropriate ego and alter nodes in the social interaction NFA.
In particular, notice that the auditory /I/ and /you/ are linked to ego and alter differently in the two instances of address and that the auditory /I/ and /you/ are linked only to the tokens of ego and alter for the address program where ego is speaking. When ego is speaking, that is, acting as the agent in the address program (left side of the social interaction NFA), the first person pronoun always indicates oneself while the second person pronoun always indicates the person one is addressing. Conversely, when ego is listening, that is, acting as the patient in the address program (right side of the social interaction NFA), the first person pronoun always designates the person who is addressing one while the second person pronoun always designates oneself. Thus the diagram shows the auditory /you/ being linked to ego and the auditory /I/ being linked to alter.
In a sense Figure 12 doesn't tell us anything we haven't known for a long time, that the reference of first and second pronoun shifts depending on who utters them. Indeed, they are often called shifters. What is new is the attempt to explain just how the auditory and articulatory schemas for these words are linked to mechanisms for social interaction. In particular, these mechanisms are associated with observations about neonatal social behavior and so they have some grounding in the innate equipment of the nervous system. These mechanisms are components in the linguistic mechanisms which produce the self-referential linguistic behavior we've observed all these years.
6.3 The Functional Center of the Self-Structure
Let us move this section toward closure by considering Figure 13, which represents a fragment of the mental machinery for one Isaac, who knows an Isabel. It repeats some things we've seen before and adds a few we haven't seen. Again, I have highlighted certain elements of the diagram so it is a little easier to pick out certain paths. I have highlighted the motor and articulatory NFAs to emphasize the fact that they are linked to ego, but not alter (compare with Jim and NS in Figure 4 where the motor and NFAs would be part of NS).
Figure 13: Functional Center of the Self-Structure
The motor NFA gives Isaac an arm and a leg with muscles he can flex and contract. We can imagine the visual and haptic schemas for Isaac and Isabel to be part of a rich network of information about them, physical appearance and manner, clothing, preferences of all sorts--food, movies, music, perhaps erotic technique, whatever, and episodes in personal history, which could be quite rich for both if they are long-term acquaintances, perhaps lovers, or spouses. The lexicon NFA displays nodes for /Isaac/ and /Isabel/, the names of our two imaginary subjects. These are linked to the appropriate visual, haptic, auditory, and articulatory NFAs.
The auditory and articulatory NFAs also depict /I/ and /you/. Notice that the ego node in the social interaction NFA is an agent in the address program (recall Figure 12); that is consistent with the links to the /I/ lexemes in the auditory and articulatory NFAs. The links between the visual and haptic Isaacs and ego, along with those between the motoric arm, leg and ego, and that between the articulatory /I/ and ego, indicate to us that this diagram depicts a highly idealized fragment of Isaac's brain rather than Isabel's. In the manner of Figure 12 we should imagine a token of ego in the patient role in another instance of the address program; that token of ego would be linked to /you/ lexemes. Ego would still be linked to Isaac in the visual and haptic NFAs and to the arm and leg in the motor NFA.
One thing needs to be emphasized. Discussions of the Self often talk of something called a self image, corresponding to what George Lakoff (1996) simply calls Self, or Self-of-I. This is, roughly speaking, linguistically accessible knowledge of oneself; the whole panoply of things William James (1890, 291ff.) had in mind when he spoke of a man's "clothes and his house, his wife and children, his ancestors and friends, his reputation and works, his lands and horses and yacht and bank-account." In this model that self image is carried in schemas in the visual, haptic, auditory, etc. NFAs which are linked to Isaac in the core self and, as well, the autobiographical self. The ego and alter nodes are not components of that self image. Rather, those nodes are components of the mental machinery through which the self image is brought to bear on social interaction and, as we will see in the next two sections, reflective thought. That puts them in what Lakoff calls the Subject, or Subject-of-I. In Damasio's terms, the Self-of-I would contain the autobiographical self and perhaps aspects of the core self as well. The ego and alter nodes would be components of the proto-self. They are unconscious components of the machinery that creates the conscious awareness of the core self and the autobiographical selves.
6.4 Banishing the Ghost
I would like to conclude this section by observing that we now have all the conceptual apparatus we need to argue that the notion of a unitary self is an illusion of language. More precisely, it is an illusion that arises when we reify self-referentiality. That reification becomes The Self.
The self-referential functions of the first person pronoun allows us to assert ownership over the entire inventory of things and events in one's life. One can thus imagine a very large collection of propositions about what "I want," what is "mine," things that "I did," and "my" stake in this or that endeavor. Stepping back from these propositions and examining them, it is easy to conclude that there must be some uniform and controlling agency behind this "I." This, of course, is a philosopher's job, for, as Lakoff and Johnson have pointed out, our common sense notions of the self allow for multiple agencies (Lakoff 1966, Lakoff and Johnson 1999, 267-289. Crudely put, our philosopher might reason like this:
Here we have the word "apple," and there we have an apple to which it refers.
Similarly . . .
Here we have the word "I," and there we must find the Self to which it refers.
We have thus reified The Self and are off to the philosophical and psychological races, tracking down that Self which is the referent of the first person pronoun, looking for the essence that must give the word its meaning.
Note, however, that we have been able to conjure up a neural mechanism that works in such a way so as to produce those personal pronouns and their self-referential propositions. That is all we need in order to free ourselves from chasing after the elusive Self. Self-referential assertions find their meaning only in the process that produces and consumes them; that meaning is not some fixed essence, some Self. All we need to understand is how that process works. We know how "I" and "me" are produced. Beyond that, there is nothing more to understand.
It is one thing to describe the effects achieved by a mechanism. It is quite a different matter to explain how the mechanism achieves those effects. To describe the effects achieved by a Jacquard loom one need only examine the various fabrics and describe the patterns. It is quite a different matter to describe the loom's components and their interactions. It is the latter description we have been constructing for the pronoun system. Now that we know how the system works, we know all there is to know about self-reference.
7. Talk That Walk 2
Let us now revisit our child crawling and discoursing about that crawl. Figure 14 shows a bit of the network regulating Isabel's actions as she asserts that "I move my leg." Most of the NFAs and interconnections in this diagram are familiar from previous diagrams, the social interaction NFA containing the ego node, the articulatory NFA with its schemas for the vocal realization of words, the lexicon, and the linguistic interaction NFA containing the addressor node.
Figure 14: Isabel: "I move my leg."
The visual (vis) sequence and visual configuration NFAs would seem to be new. They are not. Rather, they are simply subregions of the sensorimotor visual NFA which has appeared in previous diagrams. The terms "configuration" and "sequence" are from William Powers (1973) and refer to specific levels in his servomechanical stack.7 Configuration schemas regulate simultaneous position in space, such as visual forms, or body postures. Sequence schemas regulate the succession of configurations in time.
The schema network in the visual configuration NFA can be translated roughly as follows: Isabel is an instance of person. Isabel has an arm and a leg. Of course, there are many other instances of person and most, if not all, of them have, not only an arm and a leg, but two of each, plus a plethora of other body parts. And these body parts are not just thrown in a pile in any old order. There is a definite structure which links them to one another. There is a large literature on such matters and so we can afford to leave those details aside for the purposes of this particular argument. The important point is that a given node in a schema network is linked to many other nodes directly and indirectly. The meaning of a node is a function of its position in the entire network; for that position determines how the node functions in perception, speech, thought, and action (cf. Lamb 1998).
The schema network in the visual sequence NFA asserts, roughly, that crawling involves moving an arm and a leg. The arm and leg being moved are represented in the visual configuration NFA and not directly present in the visual sequence NFA. Of course, there is more to crawling than just the movement of an arm and a leg; the other arm and leg must move as well, and the relative ordering of these motions must be represented. Those details are, like those of body parts and people, secondary to our present argument, though we should recall Piaget's experiments, which suggest we need at least two different accounts of crawl, one more accurate than the other.8
There is one more issue to deal with before getting to the point of this diagram. Why, if we are dealing with an utterance about one's own movement, are we deriving the content of that utterance from visual NFAs rather than motor NFAs? Here I am following Martin Sereno (1990) who suggests that the visual mode, which occupies 50% of the primate cortex, is the foundation of linguistic meaning. I am thus implicitly suggesting that talk about oneself is based on the language one learns for talking about others, language that assigns a privileged role to visual concepts. Beyond this, we might as well speculate that the difficulties that the three- and four-year-olds have in accurately describing crawling might be a consequence of deriving their description from visual schemas. In making a description the child simply does not pay attention to what her body does, but rather reports a poorly observed visual account of the action as she has observed others execute it. We can continue down this garden path of speculation by observing that the greater accuracy of the seven-year-old's account might derive from taking motor schemas into verbal account. That is, the greater sophistication afforded by the maturation of episodic degree structures permits, among other things, the explicit coordination of visual schemas of actions with the motor schemas which actually regulate those actions.
Whatever that case may be, let us turn our attention to the highlighted nodes and arcs in this diagram. This is the pattern of cognitive activity which underlies the assertion that "I move my leg." The content of the assertion derives from the social interaction NFA, containing the ego node, and from the two visual NFAs. The link between ego and the movement is not highlighted, but it is there in the diagram, which shows that ego is Isabel and the leg which is moving is her leg. That linkage is implicit in the cognitive structure, but plays no explicit role in formulating the sentence and so it is not highlighted. The lexemes which mediate between the semantic content and linguistic forms are at the top of the diagram in the lexicon NFA while the linguistic forms are in the articulatory NFA to the right; note the alternative realizations (/I/ and /my/) of the first person lexeme, which serve distinctly different syntactic functions. When you consider that we have yet to account for just how those linguistic forms get uttered in that particular order, it should be obvious that quite a bit of neural machinery is involved in producing this simple assertion.
What has become of the self structure? It is certainly there, but saying just what the Self is seems tricky. The self image in the two visual NFAs (and NFAs for other sensory channels as well) belongs to the core self and would also have links to the autobiographical self. The cognitive equipment which relates that image to the organism in which it is constructed seems to emanate from the ego node in the social interaction NFA.
That is a pretty weak formulation, "seems to emanate . . . " Yet it feels correct. We are dealing with a pattern of conceptual and perceptual relationships having a certain center. That center is not a (privileged) box in the mind; it is a point of orientation, no more and no less. The self structure, if it is anything, is an ordering of the world with respect to that point. And that ordering is not a static structure. It is dynamic and created from moment to moment. When we go to sleep that ordering dissipates. When we awaken, we must reestablish that ordering of the world and link the experiences of our wakening core self to scraps and shards of memory in our autobiographical self. When the connections have been made we know who we are and what we are about.
8. Says I to Myself . . .
Given this conception of self and language I now want to turn to Vygotsky's conception of thought as inner speech. The general idea is that as others direct the child's actions and perceptions through language, so the child learns to use language in controlling herself (Vygotsky 1962; Luria 1959). In effect, the child peoples her brain with an other and uses that other as a mechanism to control her own mind.
Figure 15: Adult directing child's attention to a bunny.
When a young child is requested to do something, the linguistic channel in the child's brain analyzes the acoustic input and activates the appropriate cognitive and perceptual schemas. The command, "Come here", will activate a plan for locomotion while the command, "Look at the bunny" (see Figure 15 for an informal representation), will activate a plan for seeing. The child knows that she is to execute the command because of the intonation pattern (Jakobson's conative function, 1960), which, presumably, is grounded in the various neural systems subserving social interaction. Upon receipt of that intonation pattern, the child's motor system is prepared to execute a pattern. As the content of the utterance is decoded the motor schema, whether for moving her body or looking in a certain direction, is executed. This sounds as though the infant is helpless in the face of intelligible commands from others, that she has no choice but to execute them. Initially, I believe, this is the case. The motor control center has no way of distinguishing between a command originating in the brain of another and a command originating within the child's own brain. Once the ability to make the distinction is learned, the word "no" enters the child's vocabulary as a means of marking autonomy (Church 1966, 101).
Not only can the child listen, she can also speak--though there is a lag between the child's capacity to understand language and the child's ability to produce it such that the child can understand more than she can talk about (Lenneberg 1967). If the child's utterance contains a command directed toward herself--and there is evidence on this (Vygotsky 1962; Luria 1959)--then she is using language to direct her activity in the way which others use language to direct her activity (see Figure 16). The route from acoustic analysis to the execution of the action is the same in both cases, only the utterance's point of origin is different. In one case the utterance originates with another, in the other case with the child herself.
Figure 16: Child talking to herself about a bunny.
The next developmental step, so Vygotsky's account goes, is that the child's self-directed speech becomes silent and internal (see Figure 17). In a word, it becomes what is ordinarily known as thinking (Benzon 1976a, cf. Lamb 1998, 181-182). Given that this process starts with language which others direct to the growing child and involves mental structures for coordinating language and social interaction, this would make thought, so understood, to be an inner dialog between virtual persons. It is thus not surprising that, in his investigation of the metaphor system governing folk conceptions of the self, George Lakoff (1996) found that we conceive the self to be a multiplicity of agents. And when we leave the world of folk psychology and enter the world of psychoanalytic thinking we find that the superego, the inner agent of social norms, develops as an internalization of parent figures (for example, see Freud 1960, 18-29; Erikson 1963, 256-57).
Figure 17: Child thinking about a bunny.
Let us then assume the existence of the mental machinery responsible for the process Vygotsky has outlined. This machinery operates on the self-structure as described in the account of personal pronouns. In the context of this more sophisticated machinery the ego and alter nodes are variables. Let us assume that this machinery creates what Gilles Fauconnier (1994) calls mental spaces; a mental space is an occasion for thinking, speaking, or writing.9
It is a temporary event; neurologically it would correspond to a particular pattern of brain activation.
A mental space can be real or hypothetical (Lakoff 1996, 95ff.). A real space is one representing real events, whether immediately present or recalled from the past. When activated in a real space the ego variable is set to equal the self-image while alter is set to equal the person with whom one is talking. This means that all the knowledge one has of that other is brought into play, whatever that means, through the operations of the alter variable. And, of course, all the knowledge one has of oneself is brought to bear through the ego variable. One constructs a hypothetical space to consider hypothetical situations about real people or, possibly, imaginary events about completely imaginary folks. When activated in a hypothetical space ego can be set to equal any person, as can alter. In particular, it is possible to set both ego and alter to the same value. When one is just thinking, ego and alter may both be set to the self-image, thus making such thinking into a conversation with oneself. When one is watching a performance of Antony and Cleopatra, ego may be set to Antony while alter is set to Cleopatra, or Caesar, or Enobarbus, whomever Antony is interacting with at the time--a matter we'll take up in the next section.
With this in mind, I would like to shift gears a bit and consider an image from my childhood. When I was seven or eight I was given a toy which we can call the COSMIC RAY GUN--I forget the real name. It had the shape of a pistol, but it didn't shoot toy bullets or even make toy noises. Rather, it was a device for projecting short film-loops on the wall. Each time you pulled the trigger it would advance the film one frame.
This toy came in a box and the box cover had some lettering which proclaimed the toy's name, COSMIC RAY GUN, a picture of the toy itself, and a picture of a boy holding a box. The boy's box had some (somewhat smaller) lettering, COSMIC RAY GUN, a (somewhat smaller) picture of the toy itself, and a (somewhat smaller) picture of a boy holding the box. This regress went as far as the resolution of the image would allow, but I was just clever enough to be able to imagine it going on and on and on without discernible end. That is to say, my brain was somehow able to imagine that each representation could itself become the object of a representation.
Let us give Isaac a COSMIC RAY GUN and imagine him holding the box and examining it. The image manages to embed an box within a box, etc. to the limit of the resolution of the printing technology. Thus seven-year-old Isaac can clearly see the first several terms in what you and I know to be a potentially infinite regression. The question before us is how it is that Isaac can get intimations of that infinity given that, at seven years, his capacity for abstract thought is quite limited. Isaac is looking at the box. In particular, he is looking at the smallest boy--call him Raygun Boy--in the picture.
Time 1) Set-up a real space in which Ego is set to Isaac and a hypothetical space in which alter is set to Raygun Boy. One is prepared, for example, to have a conversation with this imaginary companion.
Time 2) Now set ego to Raygun Boy. One is, in effect, prepared to speak on behalf of Raygun Boy. The system (i.e. Isaac's brain) now interprets the image before it as yet Another Raygun Boy on the cover of the COSMIC RAY GUN box, with its embedded series of images.
Time 3) Set alter to Isaac. Raygun Boy knows he is being observed by Isaac.
Time 4) Set ego to Isaac, who observes Raygun Boy on the cover of the toy box.
And so forth . . .
This process is not, in fact, a very coherent one. It begins to fall apart at step 3. The important point, however, is that by step 2 Isaac has managed to glimpse that there is, in principle, a series of boxes and boys beyond what he can actually see. Anything beyond that point is simply uncontrolled flailing about.
What is important, however, is that in this example we can begin to see a cognitive basis for a concept of an infinite recursive process, an abstract mathematical concept having nothing to do with social interaction. The concept of recursion is central to twentieth-century developments in mathematics, logic, computer science, and linguistics.10