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2006 Intensive
Week Long Study over Spring Break
This
year students campus-wide will benefit from unique opportunities for week-long
intensive study abroad over spring break. These innovative programs for
intensive study abroad in Paris were expressly created to provide in-depth
on-site international experiences. They include: 7 activity-rich days
in Paris with meetings at the Paris Research Center, classes given on-site
at the cultural, historical and political institutions you are studying,
6 nights in hotels, numerous group meals, site visits, cultural activities
and UF credit.
Students should plan to arrive in Paris Sunday morning,
March 12th. The Program ends Friday evening, March 17th. Students should
plan to leaves Paris Saturday morning.
Programs Offered 2006
Download the 2006 Academic
advisement sheet
Americans in Paris
ENC 4956*, 2 credits (* pending college approval)
Dr. Maureen Turim
Students enrolled in this course will study Americans' changing views
of Paris as reflected in eighteenth-, nineteenth- and twentieth-century
American literature and in selected Hollywood films, such as An American
in Paris. The objective is to gain increased understanding of American
and French culture by studying Franco-American interaction in American
literature and film. Through readings, films, and their own writing, students
encountering Paris—perhaps for the first time—can compare
their responses to the city to those of many generations of Americans
who loved Paris. Course requirements include selected readings from Americans
in Paris, ed. Adam Gopnik; viewing of selected films prior to departure;
attendance and participation in class and on field trips; and keeping
a journal. The field trips will be walking tours, following the routes
described by Hemingway, and visiting Paris cafés and restaurants
favored by "The Lost Generation," such as the Closerie des Lilas
and Café Select, and 27 Rue de Fleurus, where Gertrude Stein held
her literary salons, and some sites mentioned by Saul Bellow, such as
the Hotel Crillon and the Café de Flore. There will also be a guest
lecture by Professor Patrick Badonnel, Université de Paris 3.
Download Course Itinerary
Paris After the Avant-garde: An introduction to Contemporary Art in
France
HUM 4956, 2 credits
Professor Sergio Vega
This course is expected to function as an introduction to contemporary
art for students from all areas. In addition to engaging its participants
in art appreciation, the course will focus in the post World War II period
known as the Neo-Avantgarde. The lectures will introduce the artistic
movements that took place in Paris and other parts of Europe in five decades,
featuring a condensed revision of the artists, events and institutions
as a way of mapping the main ideas that marked the transition from Modernism
to Contemporary Art. Field trips to major art museums and art galleries,
in addition to lectures from leading art curators and studio visits to
artists working in Paris will make this course a unique experience of
intensive immersion into today’s art.
Download Course Itinerary
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Programs offered 2005
Download the 2005 Academic Advisement
Sheet
Cinema in Paris
ENC 4956, 2 Credit
Dr. Scott Nygren
An intensive course in Paris as the heart of world cinema culture. Students
will visit locations that served as the setting of many French films,
such as the streets of Montmartre where Amélie was set
and the Champs Elysées for Godard's Breathless , to consider
how Paris has been continually reinvented through film. We will study
cinema in relation to the locations where cinema itself began, from the
site of the first cinema exhibition by the Lumière brothers on
the Boulevard des Capucines, to theater districts such as the Rue de la
Gaité where melodrama emerged as the mode of narrative later appropriated
by cinema. We will watch films at the Cinémathéque Française
and other Parisian theaters, look at exhibitions of photography and painting
that relate to cinematic representations, visit libraries devoted to the
arts, and observe current television production. We will look at the role
multimedia presentations play in Parisian museums, and meet with an experimental
filmmaker. Students will produce experimental texts that combine analytical
encounters and personal discoveries with photographs and collected documentation,
annotated and supplemented by reading and film viewings.
French Political Institutions, History, and Culture (doc)
POS 4956, 2 Credit
Dr. Richard Conley
Download Handout (doc)
This course was designed specifically for political science majors and
history students with interests in comparative politics and international
relations. The course will provide students with an historical perspective
on French politics and culture from the Revolution through World War II,
as well as furnish an exceptional overview of political institutions in
the Fifth Republic (1958-present) and France's role in international politics.
The unique capstone will feature guest lectures from leading academics
on France's political institutions, contemporary role in the European
Union, and US-French relations. Visits to national political offices and
military and cultural museums in Paris, in addition to World War II battlefields
in Normandy, will reinforce students' understanding of France's rich socio-political
history.
Sex, Scandals, and Violence in Contemporary French Film
ENC 4956, 2 Credits
Dr. Amy Ongiri
Beginning with the scandal of the nouvelle vague movement, we will explore
Paris as the site of some of modernity's most important scandals in relationship
to aesthetic and cultural practice, first examining Jean-Luc Godard's
Breathless to address the interconnection between violence,
scandal, and cinematic innovation in French film. Continuing our exploration
of aesthetic ruptures originating in avant-garde movementsÊbeginning with
the scandal caused by plans to erect the Eiffel Tower for the Universal
Exhibition of 1889Êwe will explore Paris scandals from the controversial
nightlife of the Moulin rouge and nearby clubs of the Pigalle district
to the scandals created by the daring outrages of the surrealist movement
and the insistence on absurdity of the Dada movement and of Marcel Duchamp's
urinal. We will then continue to examine the theme of modernity and its
discontents as expressed through the highly aestheticized version of urbanity
found in the dark futurism of Jean-Pierre Jeunet and Marc Caro's 1995
film City of Lost Children . The course will end with a visit
the section of Paris dubbed èLittle Africaî as we explore èthe headscarf
controversyî and changing conceptions of French identity with Mathieu
Kassovitz's 1995 film Hate and with the 2002 film Baise-Moi
, banned for its frank exploration of the relationship between eroticism
and violence.
Translation in the EU
LAS 4935, 2 Credits
Dr. Cesar-Lee & Dr. Elizabeth Lowe
Viewed as a ècondensed internship in translationî, this Spring Break program
constitutes an enhancement to the course Translation for Diplomacy, Law,
and European Union Issues and to courses on EU Studies offered in various
departments. The purpose of the course is to understand the role of the
translator as mediator and communicator in today's European multi-lingual
and multi-cultural societies. We will start in Paris where the first impulse
towards the EU was born; visits will include UNESCO and the Organisation
de Coopération et de Développement Economique (OCDE),
among others. We will conclude our tour in Brussels, the administrative
center of Europe, where site visits will include the Service de Traduction
of the EU.
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Programs offered 2004
Representing the Streets of Paris: A Cinematic City
ENC4956, 1 Credit
Dr. Maureen Turim
More on this class and proposed
itinerary
A special course in which students will visit sites famous for their
presence in films about Paris, concentrating on understanding how different
sections of Paris become the representation of different classes and styles
of daily life. Cafés, restaurants, and avenues, parks and buildings,
subways and bus lines: how do films use, indeed create, the space of the
city? We will also see exhibitions relating to cinema, watch films at
the Cinémathèque Française and other Parisian theaters,
look at exhibitions of photography and painting that correlate to cinematic
representations, visit libraries devoted to the arts, as well as the vidéothèque.
We will look at the role multimedia presentations play in Parisian museums,
and meet with an experimental filmmaker. Students will turn in analytical
diaries of their discoveries, illustrated by their photographs and collected
documentation, then annotated and supplemented by their reading and film
viewings.
French Political Institutions, History, and Culture
POS 4931, 1 Credit
Dr. Richard Conley
More on this class and proposed
itinerary
This course was designed specifically for political science majors and
history students with interests in comparative politics and international
relations. The course will provide students with an historical perspective
on French politics and culture from the Revolution through World War II,
as well as furnish an exceptional overview of political institutions in
the Fifth Republic (1958-present) and France's role in international politics.
The unique capstone will feature guest lectures from leading academics
on France's political institutions, contemporary role in the European
Union, and US-French relations. Visits to national political offices and
military and cultural museums in Paris, in addition to World War II battlefields
in Normandy, will reinforce students' understanding of France's rich socio-political
history.
Modern Paris & Contemporary French Culture
FRE 4956, 1 Credit, Taught in French
Dr. Bernadette Cesar-Lee and Dr. Gayle Zachmann
More on this class including
proposed itinerary
In this survey of the principal political, intellectual, social, and artistic
currents that have marked France and France's image since World War II,
we will pose the question of what Modern Paris represents today and what
it may mean to be French within a unified Europe. A co-taught course,
this unique week-long study presents lectures by Dr. Bernadette Cesar-Lee
and Dr. Gayle Zachmann at daily site visits to cultural and political
institutions of Paris and the European Union.
Spring Break Course Archive
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spring break courses page
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