Calemndar of Events

Calendar - Spring 2007

January 15

7:30 pm
Film screening of La Petite Jérusalem/Little Jerusalem by Karin Albou. Part of the FACE French Film Festival. Location: Hippodrome Theater, 25 SE 2nd Place, Gainesville.

The intimate lives of two women in a low-income neighborhood of Paris are explored, raising questions of religious interpretation, freedom, sexuality and familial relationships. Read More >>

January 22

7:30 pm
Film screening of L'Intrus by Claire Denis. Part of the FACE French Film Festival. Location: Hippodrome Theater, 25 SE 2nd Place, Gainesville.

In a tale of both inner and outer journeys, a mysterious Russian shadows a man recovering from a black market heart transplant. Read More >>

January 29

7:30 pm
Film screening of Carnages by Delphine Gleize with Jacques Gamblin, Chiara Mastroiani. Part of the FACE French Film Festival. Location: Hippodrome Theater, 25 SE 2nd Place, Gainesville.

Circulation of the body parts of a bull, who is butchered after a tragic bullfight, ties together random stories and individual pathos. Read More >>

February 8

4:00 pm
McQuown Room, 219 Dauer Hall
La femme come témoin de guerre: Les récits des infirmières de 1914-1918, a lecture by Professor Ruth Amossy of the University of Tel Aviv, Israel. Dr. Amossy is a specialist of French culture and literature of the 19th and 20th centuries, including critical theory, French discourse analysis, rhetoric and the theory of argumentation.

February 12-17

Dr. Catherine Grosdemange, Dean and Professor of Chemistry, Université de Strasbourg, France
Seminar plus meetings to establish research exchange (TBA)*

February 12

February 19

March 19

African Film Festival Traveling Film Series 2006-2007: Free & Open to the Public

  1. The night with truth / La nuit de la vérité
    8:45 - 10:25 pm
    Fanta Régina Nacro, Burkina Faso, 2004, 100 min. (in Dioula, French & more with English subtitles)

    Mirroring the political strife and genocide in contemporary Sub-Saharan Africa, this film opens as preparations are being made to end a decade of civil war in a fictitious country.  A peace agreement is about to be signed and celebrated in a night of reconciliation with a “laying down of arms.”  As the powerful drumming begins, both rebels and government forces gather, bringing with them years of rage, grief, hope, suspicion, and bitterness.

March 20

African Film Festival Traveling Film Series 2006-2007: Free & Open to the Public

  1. Don’t F*** with me I have 51 brothers and sisters
    9:00 - 10:36 pm
    Dumisani Phakathi, South Africa, 2004, 86 min (in English & Zulu with English subtitles)

    This film is the story of Dumisani’s epic journey to find his 51 siblings and come to terms with the loss of his father as a child.  This film is as much the story of South Africa’s search for its origins as it is Dumisani’s.

March 28 - April 1

Visit by Samuel Sidibe, Director, Museum National de Mali.

ROUNDTABLE: The Future of Mud: a Mason’s Story, (Premiere showing), Architecture, Masons, and Modernity in Djenne, Mali:
Questions raised by a film blending “Truth” and “Fiction.”

Co-chairs: Samuel Sidibé, Musée National du Mali, Trevor Marchand, SOAS, and
Susan Vogel, Columbia University

The roundtable centers upon a new film, The Future of Mud: A Mason’s Story (53 minutes, coproduced
by the panel chairs) on the state of architecture in Djenne now. The documentary presents issues of changing aspirations, new affluence, Djenne’s connection to a global world, and the future of the mason’s craft. It is firmly grounded in co-writer and co-producer Trevor Marchand’s long research in Djenne. The film, however, takes an unorthodox approach, casting
individuals in roles – a mason, his assistant, and his family – and using staged scenes to tell a fictional narrative. We filmed our characters in their daily activities and then intercut the staged scenes seamlessly with the observational documentary footage and interviews. The technique of blending fact and fiction in the service of “truth” raises a number of compelling issues. The roundtable has three parts: first, each participant will briefly introduce a question that they will be discussing – either concerning the film’s unusual documentary approach or the subject of masons and architectural change. Second we will have a screening of the film. In the final hour,
each panelist will elaborate on the question he/she raised. Discussion with the audience.

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